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This is a list of works classified as biopunk, a subgenre of science fiction and derivative of the cyberpunk movement. Some works may only be centered around biotechnologies and not fit a more constrained definition of biopunk which may include additional cyberpunk or postcyberpunk elements.
Boris Karloff in James Whale's 1931 film Frankenstein, based on Mary Shelley's 1818 novel.The monster is created by an unorthodox biology experiment.. Biology appears in fiction, especially but not only in science fiction, both in the shape of real aspects of the science, used as themes or plot devices, and in the form of fictional elements, whether fictional extensions or applications of ...
Biopunk (a portmanteau of "biotechnology" or "biology" and "punk") is a subgenre of science fiction that focuses on biotechnology. It is derived from cyberpunk, but focuses on the implications of biotechnology rather than mechanical cyberware and information technology. [1] Biopunk is concerned with synthetic biology.
Examples of emerging bioproducts or biobased products include biofuels, bioenergy, starch-based and cellulose-based ethanol, bio-based adhesives, biochemicals, bioplastics, etc. [8] [9] Emerging bioproducts are active subjects of research and development, and these efforts have developed significantly since the turn of the 20/21st century, in ...
Fiction about biological themes such as genetics, cloning, genetic engineering, disease, or other aspects of biology. Subcategories This category has the following 7 subcategories, out of 7 total.
Climate change—science fiction dealing with effects of anthropogenic climate change and global warming at the end of the Holocene era; Megacity; Pastoral science fiction—science fiction set in rural, bucolic, or agrarian worlds, either on Earth or on Earth-like planets, in which advanced technologies are downplayed. Seasteading and ocean ...
The geneticist Dan Koboldt observes that while science and technology play major roles in fiction, from fantasy and science fiction to thrillers, the representation of science in both literature and film is often unrealistic. [28] In Koboldt's view, genetics in fiction is frequently oversimplified, and some myths are common and need to be debunked.
"The species is named after the fictional deity Dagon (also known as Father Dagon), created by the American writer of horror fiction H.P. Lovecraft (1890–1937) and firstly introduced in the short story "Dagon," published in 1919. In the pantheon of Lovecraftian cosmic entities, Dagon presides over the Deep Ones, an amphibious humanoid race ...