Search results
Results from the WOW.Com Content Network
Spinto (Italian for "pushed") is a vocal term used to characterize a soprano or tenor voice of a weight between lyric and dramatic that is capable of handling large musical climaxes in opera at moderate intervals. (Sometimes the terms lirico-spinto or jugendlich-dramatisch are used to denote this category of voice.) [1]
[2] [page needed] Spinto roles are often sung by lyric sopranos, despite calling for high sustained tessitura passages that compete with full orchestral sound, and the lighter lyric voice needs to exercise caution when moving to this heavier category. [3] The spinto tenor is the spinto soprano's male equivalent among operatic voice types.
The tenor is a type of male singing voice and is the highest male voice within the modal register. The typical tenor voice lies between C 3 (C one octave below middle C), to the high C (C 5). The low extreme for tenors is roughly A 2 (two octaves below middle C). At the highest extreme, some tenors can sing up to F one octave above middle C (F ...
A tenor is a type of male singing voice whose vocal range lies between the countertenor and baritone voice types.It is the highest male chest voice type. [1] Composers typically write music for this voice in the range from the second B below middle C to the G above middle C (i.e. B 2 to G 4) in choral music, and from the second B flat below middle C to the C above middle C (B ♭ 2 to C 5) in ...
English equivalent: lyric dramatic tenor also known as Spinto; Range: From about low C (C 3) to the C an octave above middle C (C 5) Description: A tenor with a dramatic extended upper range with the necessary brightness to come through the orchestra's texture. Roles: Calaf, Turandot (Giacomo Puccini) [20] Canio, Pagliacci (Ruggero Leoncavallo ...
Tenor range: The tenor is the highest male voice within the modal register. The typical tenor voice lies between C3 (one octave below middle C) to C5 (one octave above middle C). The low extreme for tenors is roughly B ♭ 2 (the second B-flat below middle C). At the highest extreme, some tenors can sing up to F5 (the second F above middle C). [6]
The lyric soprano voice generally has a higher tessitura than a soubrette and usually plays ingenues and other sympathetic characters in opera. Lyric sopranos have a range from approximately middle C (C 4) to "high D" (D 6). [1] This is the most common female singing voice. [2] There is a tendency to divide lyric sopranos into two groups: light ...
Piccaver had a warm, velvety, lyric tenor voice with a fine cantilena style and excellent legato and diction. Later on it became what an English critic has described as 'slack muscled' and acquired a baritonal quality, but in the early years of his prime he was known to the Viennese as 'the Caruso from Prague'. His roles included Rodolfo ...