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On the bass guitar, the technique is widely credited to Larry Graham, an electric bassist playing with Sly and the Family Stone in the late 1960s. The technique quickly spread to the funk and disco genres. Slapping is a technique also adopted by acoustic and electric fingerstyle guitarists. [1]
[citation needed] Without any plucking at all, Johnson sets a complicated funky bass line using a combination of counterpoint slapping with right hand using right thumb, counterpoint with left hand middle finger as a mute technique, called a slap choke, thus creating a percussive sound like drums, adding to the bass notes. His style ...
These playing techniques are supplemented by a set-up for the drum kit that often includes muffled bass drums and toms and tightly tuned snare drums. [36] Double bass drumming sounds are often done by funk drummers with a single pedal, an approach which "accents the second note... [and] deadens the drumhead's resonance", which gives a short ...
Joseph "Lucky" Scott was an American bassist, and musical director. He is most recognized for his work with Curtis Mayfield, in particular the Super Fly album. While Lucky was predominantly the bassist and musical director for Curtis Mayfield, his credits also include The Impressions, Aretha Franklin, Natalie Cole, The Staple Singers, Leroy Hutson, Gladys Knight, and more.
The album was in the charts for 47 weeks and spawned three Australian top ten singles, including "The City of Soul" which featured François' trademark funky bass techniques. Parting company with Eurogliders in 1987, François formed the power pop trio Panic Poets, who released the independent single "Let's Go" in Australia in 1988, gaining ...
Funk Fingers being played by their inventor, Tony Levin. Funk Fingers are a kind of drum stick that attach to the fingers of a bass player for producing percussive, funky sounds on a bass guitar. They were created by Tony Levin (Peter Gabriel, King Crimson, Liquid Tension Experiment) and his guitar technician, Andy Moore.
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Bassist Larry Graham contends that the track featured the first instance of the "slap bass technique", which would become a staple of funk and other genres. The technique involves striking a string with the thumb of the right hand (or left hand, for a left-handed player) so that the string collides with the frets, producing a metallic "clunk ...
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