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Carmen Amaya (2 November 1918 – 19 November 1963) occasionally known by the stage name La Capitana, was a Spanish Romani flamenco dancer and singer, born in the Somorrostro district of Barcelona, Catalonia, Spain.
It was directed and choreographed in the flamenco style. It is the first part of Saura's 1980s flamenco trilogy, and is followed by Carmen (1983) and El amor brujo (1986). The film depicts Antonio Gades and his dance company performing a flamenco adaptation of Federico García Lorca's play Blood Wedding. As with all Saura's flamenco films, the ...
Woman dancing in a traditionally-styled flamenco dress with ruffles and polka dots, holding a manila shawl A matador's elaborately decorated chaquetilla, part of the traditional bullfighting costume. The Dance of the Twisted Bull (Spring/Summer 2002) is the nineteenth collection by British designer Alexander McQueen for his eponymous fashion house.
The film presents thirteen rhythms of flamenco, each with song, guitar, and dance: the up-tempo bulerías, a brooding farruca, an anguished martinete, and a satiric fandango de Huelva. There are tangos, a taranta, alegrías, siguiriyas, soleás, a guajira of patrician women, a petenera about a sentence to death, villancicos, and a final rumba.
Billboard described the video as spectacular and mentioned that "a young Cuban flamenco troupe swirling in red dresses meet up with street dancers with some mad soccer skills in one of the best choreographed encounters since the Sharks met the Jets." [16] Huffington Post also mentioned that the video has a little football and a sensual dance. [25]
Flamenco (Spanish pronunciation: [flaˈmeŋko]) is an art form based on the various folkloric music traditions of southern Spain, developed within the gitano subculture of the region of Andalusia, and also having historical presence in Extremadura and Murcia.
The livelier speeds are chosen for dancing, while quieter rhythms are preferred for the song alone. One of the structurally strictest forms of flamenco, a traditional dance in alegrías must contain each of the following sections: a salida (entrance), paseo (walkaround), silencio (similar to an adagio in ballet), castellana (upbeat section ...
The original dance version is due to the Sevillian dancer Faíco who was accompanied by Ramón Montoya, who is said to have invented the typical farruca melody for the guitar. The success was thunderous and from then on many other dancers stylized and expanded this flamenco style, such as El Gato or Antonio Gades. [ 3 ]