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Subsequently, the painting was bought by the Parisian dealer Paul Durand-Ruel, and then became the property of the Musée des Beaux-Arts de Lyon in 1902. The museum was a forerunner in the collecting of early 20th century Impressionist paintings. [2] The painting is composed of four major elements, each painted in a different way.
List of paintings created during 1858–1871 1872–1878 1878–1881 1881–1883 1884 1884–1888 1888 1888–1898 1899–1904 1900–1926 This is a list of works by Claude Monet (1840–1926), including all the extant finished paintings but excluding the Water Lilies, which can be found here, and preparatory black and white sketches. Monet was a founder of French impressionist painting, and ...
The painting is an Impressionist take on the grey-tinged seascapes of Hague School paintings such as Hendrik Mesdag's 1881 Panorama of Scheveningen. The composition is broken into three horizontal zones: a threatening grey sky with dark roiling clouds, the greenish-grey sea with lines of white-capped waves crashing onto the shore, and the beach ...
Pages in category "Impressionist paintings" The following 24 pages are in this category, out of 24 total. This list may not reflect recent changes. .
Monet settled in Giverny in 1883. Most of his paintings from 1883 until his death 40 years later were of scenes within 3 kilometres (2 mi) of his home and gardens.Monet was intensely aware of and fascinated by the visual nuances of the region's landscape and by the endless variations in the days and in the seasons—the stacks were just outside his door.
Impression, Sunrise (French: Impression, soleil levant) is an 1872 painting by Claude Monet first shown at what would become known as the "Exhibition of the Impressionists" in Paris in April, 1874. The painting is credited with inspiring the name of the Impressionist movement. Impression, Sunrise depicts the port of Le Havre, Monet's hometown.
Beach in Pourville (title in French: La plage à Pourville, soleil couchant) is a painting by French artist Claude Monet. [1] It is one of an 1882 series of oil-on-canvas works by Monet in the small seaside resort of Pourville-sur-Mer (now part of the commune of Hautot-sur-Mer), near Dieppe in northern France.
The various elements of the painting are unified through brushwork; short, crisp strokes were used to paint the grasses of the cliff, the girls' drapery and the distant sea. A sense of movement suggested by painterly calligraphy was a property of Monet's work in the 1880s, and is here used to connote the effect of a summer wind upon figures ...
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