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The Big Ugly is a 2020 American crime action film directed by Scott Wiper, who wrote the screenplay with Paul Tarantino.The film story follows Malcolm McDowell as a London mob boss who sends a henchman Neelyn (Vinnie Jones) to West Virginia to set up a money laundering operation with an oilman (Ron Perlman).
Side Effects is a 2013 American crime thriller film directed by Steven Soderbergh and written by Scott Z. Burns. It stars Rooney Mara as a woman who is prescribed experimental drugs by psychiatrists ( Jude Law and Catherine Zeta-Jones ) after her husband ( Channing Tatum ) is released from prison.
Facebook is a Big Tech company with over 2.7 billion monthly active users as of the second quarter of 2020 and therefore has a meaningful impact on the masses that use it. [136] Big data algorithms are used in personalized content creation and automatization; however, this method can be used to manipulate users in various ways. [ 137 ]
42. Cocktail (1988) With a score of only 9%, Cocktail comes in as Cruise’s lowest-ranked film ever. Despite his work as a headliner, the Legend actor’s attempt at a romance film fell flat with ...
The family-friendly studio’s more-wholesome-than-horrifying approach gives Norwegian writer-director Emilie Blichfeldt plenty of room to push back with “The Ugly Stepsister,” a deliciously ...
It remains one of the worst vehicles Consumer Reports has ever tested. [40] The publication noted that the car took 37.5 seconds to go from 0–60 MPH, it was dangerously structurally deficient in a 30MPH crash test with a standard car, and its bumpers were "virtually useless against anything more formidable than a watermelon ", all of which ...
The movie, starring Joey King, is based on Scott Westerfeld’s 2005 novel of the same name. A dystopia, "Uglies" unfolds in a world with a unique coming-of-age ritual.
Consumer Reports published a kids' version of Consumer Reports called Penny Power in 1980, later changed in August 1990 to Zillions. [48] This publication was similar to Consumer Reports but served a younger audience. At its peak, the magazine covered close to 350,000 subscribers. [49]