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The Mouth of Truth (Italian: Bocca della Verità [ˈbokka della veriˈta]) is an ancient Roman marble mask in Rome, Italy, which stands against the left wall of the portico of the Santa Maria in Cosmedin church, at the Piazza della Bocca della Verità, the site of the ancient Forum Boarium (the ancient cattle market).
Following is a list of pantheons of deities in specific spiritual practices: . African pantheons; Armenian pantheon; Aztec pantheon; Buddhist pantheon; Berber pantheon; Burmese pantheon
The remaining portions of the helmet consist of three main parts: a face mask, a brow band, and ear and neck guards on either side. [2] [3] An iron skull cap was designed to closely follow the outline of the wearer's head, although due to significant oxidation, only fragments remain; what remains shows that it was originally skillfully hammered to represent elaborately dressed hair.
The Pantheon (UK: / ˈ p æ n θ i ə n /, US: /-ɒ n /; [1] Latin: Pantheum, [nb 1] from Ancient Greek Πάνθειον (Pantheion) '[temple] of all the gods') is a former Roman temple and, since AD 609, a Catholic church (Italian: Basilica Santa Maria ad Martyres or Basilica of St. Mary and the Martyrs) in Rome, Italy.
The nō or noh mask evolved from the gigaku and bugaku and are acted entirely by men. The masks are worn throughout very long performances and are consequently very light. The nō mask is the supreme achievement of Japanese mask-making. Nō masks represent gods, men, women, madmen and devils, and each category has many sub-divisions.
The Pantheon in Rome, built in the 2nd century, was the largest dome in the world for over a millennium, and is still the largest unreinforced solid concrete dome. The dome of Florence Cathedral was the largest in the world from its construction in 1436 to 1871, and is the largest brick and mortar dome.
In the rapid shifts of power of the Revolutionary period, two of the first men honored in Pantheon, Mirabeau and Marat, were declared enemies of the Revolution, and their remains were removed. Finally, the new government of the French Convention decreed in February, 1795 that no one should be placed in the Pantheon who had not been dead at ...
Natural marble. By the classical period, roughly the 5th and 4th centuries BC, monumental sculpture was composed almost entirely of marble or bronze; with cast bronze becoming the favoured medium for major works by the early 5th century BC; many pieces of sculpture known only in marble copies made for the Roman market were originally made in bronze.
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