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The sandman puts him to sleep, and Orbison begins singing about dreams of his lover. Drums pick up the rhythm to follow the lyrics further into his subconscious, and a piano joins as the lyrics recount how Orbison spends time with her in his dreams, accompanied by breathy backup singers. Orchestra strings counter his melody, with the effect of ...
In Dreams is the fourth studio album by American singer Roy Orbison, released in July 1963 by Monument Records. [ 2 ] recorded at the RCA Studio B in Nashville, Tennessee. [ 2 ] It is named after the hit 45rpm single " In Dreams ".
Crying is the third album by Roy Orbison, released in 1962. [2] It was his second album on the Monument Record label. [ 3 ] The album name comes from the 1961 hit song of the same name.
In Dreams: The Greatest Hits is a two-record album set by Roy Orbison songs released in 1987 on Virgin Records. It was produced by Orbison and Mike Utley, except for the song "In Dreams", produced by Orbison with T-Bone Burnett and film director David Lynch. All songs are re-recordings by Orbison from 1986, [1] except "In Dreams" from April 1987.
Bruce Eder of AllMusic said that the album "packed with great moments and different permutations of that sound: the powerful lead vocal and the Boots Randolph sax break on "I'll Say It's My Fault"; the haunting Orbison-Melson "Come Back to Me (My Love)," a vest-pocket romantic melodrama sung with operatic depth and played to a light rock & roll beat; Don Gibson's "I'd Be a Legend in My Time ...
In Dreams is a jukebox musical with a book by David West Read and featuring the songs of Roy Orbison.The musical uses the songs of Orbison to tell a modern-day story about Kenna, the former lead singer of a country rock band, who reconnects with her old friends at a family-run Mexican restaurant.
The "passivity" agreement FDIC wants BlackRock to sign is designed to assure bank regulators that the giant money manager will remain a "passive" owner of an FDIC-supervised bank and won’t exert ...
It was a success remaining in the charts for 140 weeks, [2] when it debuted on the Billboard Top LPs chart in the issue dated September 1 that year, peaking at number 13. [ 4 ] it entered the UK album charts 5 years later, on September 30, 1967 and it spent its only week on the album chart there at number 40. [ 5 ]