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"Luther" is a "love ballad" accentuated by various string sections against 808 beats and hi-hats which was called a blend of contemporary R&B and hip-hop by Screen Rant. [2] [3] It features a sample of "If This World Were Mine", written by Marvin Gaye and performed by Luther Vandross and Cheryl Lynn, and builds on the song title from the very beginning. [4]
"Never Too Much" is the debut song written, composed, produced, and performed by Luther Vandross. The R&B song was released in 1981, as the lead single from Vandross's debut album of the same name . The title track hit number one on the US Billboard Hot R&B/Hip-Hop Songs chart and number four on the US Billboard Dance Club Songs chart.
It's Over Now (Luther Vandross song) J. Jump to It (song) L. Lick My Lips; Little Miracles (Happen Every Day) Love Me (112 song) Love Me Again (Luther Vandross song) N.
"Never Too Much" by Luther Vandross (1981) So legendary is this song, its title serves as the name of the new movie about the life of Luther Vandross. He died at age 54 in 2005.
Luther Ronzoni Vandross Jr. (April 20, 1951 – July 1, 2005) was an American soul and R&B singer, songwriter, and record producer. Throughout his career, he achieved eleven consecutive RIAA-certified platinum albums and sold over 40 million records worldwide. [1]
"Fascination" is a song written by the English singer-songwriter David Bowie and the American musician Luther Vandross for Bowie's Young Americans album in 1975. The song originated from a Vandross song called "Funky Music (Is a Part of Me)" which The Mike Garson Band used to play before Bowie concerts in 1974.
The song featured contributions from then-unknown singer Luther Vandross, who conceived the backing vocal arrangement. An embracement of R&B and Philadelphia soul , the song presents an Englishman's impressionist portrait of America at the time, featuring various characters and allusions to American totems and events.
British magazine Music Week rated the song three out of five, writing, "This slick, somewhat passionless mid-tempo ballad is definitive Luther, and should please pop radio." [4] An editor, Alan Jones, stated that Vandross "is back on form" on "a slow-burning R&B plodder". He added that it "has a warmly familiar feel, and Luther's honeyed vocals ...