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Kerygma (from Ancient Greek: κήρυγμα, kḗrygma) is a Greek word used in the New Testament for "proclamation" (see Luke 4:18-19, Romans 10:14, Gospel of Matthew 3:1). It is related to the Greek verb κηρύσσω ( kērússō ), literally meaning "to cry or proclaim as a herald" and being used in the sense of "to proclaim, announce ...
Genre paintings—neither ideal in style, nor elevated in subject—were admired for their skill, ingenuity, and even humour, but never confused with high art. The hierarchy of genres also had a corresponding hierarchy of formats: large format for history paintings, small format for still lifes.
Genre studies is an academic subject which studies genre theory as a branch of general critical theory in several different fields, including art, literature, linguistics, rhetoric and composition studies. Literary genre studies is a structuralist approach to the study of genre and genre theory in literary theory, film theory, and other ...
Time-based media is a term coined by museum conservators for durational works of art that unfold over a period of time. [1] This work often relies on technology, but includes mediums such as performance art and social practice .
By its original and broadest definition, art (from the Latin ars, meaning "skill" or "craft") is the product or process of the effective application of a body of knowledge, most often using a set of skills; this meaning is preserved in such phrases as "liberal arts" and "martial arts".
Genre criticism has thus become one of the main methodologies within rhetorical criticism. Literary critics have used the concepts of genres to classify speeches and works of literature since the time of Aristotle, who distinguished three rhetorical genres: the legal or judicial, the deliberative or political, and the ceremonial or epideictic ...
Experience occurs continually, as people are always involved in the process of living, but it is often interrupted and inchoate, with conflict and resistance. Much of the time people are not concerned with the connection of events but instead there is a loose succession, and this is non-aesthetic. Experience, however, is not an experience.
The major survivals of Buddhist art begin in the period after the Mauryans, within North India Kushan art, the Greco-Buddhist art of Gandhara and finally the "classic" period of Gupta art. Additionally, there was the Andhra school which appeared before the Gandhara school and which was based in South India. [ 82 ]