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2. Reverb effect - Wikipedia

   en.wikipedia.org/wiki/Reverb_effect

   The first reverb effects, introduced in the 1930s, were created by playing recordings through loudspeakers in reverberating spaces and recording the sound. [2] The American producer Bill Putnam is credited for the first artistic use of artificial reverb in music, on the 1947 song "Peg o' My Heart" by the Harmonicats.

3. Reverberation - Wikipedia

   en.wikipedia.org/wiki/Reverberation

   Reverberation is applied artificially by using reverb effects, which simulate reverb through means including echo chambers, vibrations sent through metal, and digital processing. [ 5 ] Although reverberation can add naturalness to recorded sound by adding a sense of space, it can also reduce speech intelligibility , especially when noise is ...

4. Effects unit - Wikipedia

   en.wikipedia.org/wiki/Effects_unit

   Time-based effects delay the sound signal, add reverb or echos, or, if a long delay is possible, enable musicians to record "loops". A vintage Echoplex EP-2 delay effect

5. Delay (audio effect) - Wikipedia

   en.wikipedia.org/wiki/Delay_(audio_effect)

   Most delay effects allow users to set the delay time, or the amount of time between each audio playback. The may be synchronized to a BPM, allowing users to set time values as beat divisions. Delay is used to create other effects, including reverb, chorus, and flanging. [5] Delay effects typically allow users to add and adjust feedback. By ...

6. Reverse echo - Wikipedia

   en.wikipedia.org/wiki/Reverse_echo

   The reverse reverb is applied to the first word or syllable of the vocal for a build-up effect or other-worldly sound. Metallica used the effect in the song "Fade To Black" on James Hetfield's vocals in their 1984 album Ride The Lightning. The effect was also employed by Genesis (on Phil Collins’ snare drum) at the end of the song “Deep in ...

7. Environmental Audio Extensions - Wikipedia

   en.wikipedia.org/wiki/Environmental_Audio_Extensions

   The hardware accelerated effects engine is an E-mu FX8010 DSP integrated into the Creative Technology's audio chip and was historically used to enhance MIDI output by adding effects (such as reverb and chorus) to the sampled instruments on 'wavetable' sample-based synthesis cards (which is often confused with the "wavetable synthesis" developed ...