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According to the co-writer and longtime group member Bob Gaudio, the song's lyrics were originally set in 1933 with the title "December 5th, 1933", celebrating the repeal of Prohibition, [6] but after the band revolted against what Gaudio would admit was a "silly" lyric being paired with an instrumental groove they knew would be a hit, [7] Parker, who had not written a song lyric before by ...
On December five and twenty, fum, fum fum. Oh, a child was born this night So rosy white, so rosy white Son of Mary, virgin holy In a stable, mean and lowly, fum, fum, fum. On December five and twenty fum, fum, fum. On December five and twenty fum, fum, fum. Comes a most important day Let us be gay, let us be gay. We go first to church and then we
"Spooky" is the twenty-third single by English rock band New Order. It was released in December 1993 by CentreDate Co. Ltd/London as the fourth and final single from their sixth studio album, Republic (1993).
"December" is a song by British band the Waterboys, released on 14 October 1983 as the second and final single from their debut studio album The Waterboys. [1] The song was written and produced by Mike Scott , with additional production by Rupert Hine .
[3] [4] Its best-known version was created by James Cobb and producer Buddy Buie for the group Classics IV when they added lyrics about a "spooky little girl". The vocalist was Dennis Yost. [5] The song is noted for its eerie whistling sound effect depicting the spooky woman. It has become a Halloween favorite. [6]
While Halloween is a spooky day in its own right, many people also feel uneasy and unlucky on Friday the 13th. This year will see the date occur twice, in September and December. The next one ...
"Someday at Christmas" is a song by American singer Stevie Wonder, from his first Christmas album and eponymous eighth studio album (1967). Written by Ron Miller and Bryan Wells, it was produced by Henry R. Crosby. Initially released as a standalone single in 1966, it led to the recording of its parent album which was issued a year later.
When I came along with the old three chords, people began to think that if I could do it, so could they. It was the reintroduction of the folk music bridge which did that." – Interview, 2002. [21] "He was the first person we had heard of from Britain to get to the coveted No. 1 in the charts, and we studied his records avidly.