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An Inuit woman from Bernard Harbour showing her hand tattoo. Kakiniq (singular) or kakiniit (plural) [2] is an Inuktitut term which refers to Inuit tattoos, [3] while the term tunniit specifically refers to women's facial tattoos.
Irezumi (入れ墨, lit. ' inserting ink ') (also spelled 入墨 or sometimes 刺青) is the Japanese word for tattoo, and is used in English to refer to a distinctive style of Japanese tattooing, though it is also used as a blanket term to describe a number of tattoo styles originating in Japan, including tattooing traditions from both the Ainu people and the Ryukyuan Kingdom.
Typical markings include vertical lines from the lower lip that extend to beneath the chin. [2] According to tattoo anthropologist Lars Krutak, the width of the lines and the spacing between them were traditionally associated with each of the nine groups of Hän Gwich’in. Girls would be tattooed to identify their group.
A tattoo on the right arm of a Scythian chieftain whose mummy was discovered at Pazyryk, Russia. The tattoo was made between about 200 and 400 BCE. Tattooed mummies dating to c. 500 BCE were extracted from burial mounds on the Ukok plateau during the 1990s. Their tattooing involved animal designs carried out in a curvilinear style.
Mageʼau Gray is known for her work tattooing Fijian veiqia designs, for example on artists Dulcie Stewart and Luisa Tora, as well as other members of The Veiqia Project. [10] [11] [12] She also the first person in eighty years to tattoo traditional designs in the Mekeo area, that had been discouraged by the colonising activity of missionaries. [6]
Asena is the name of a she-wolf associated with the Gokturk foundation myth. [1] The ancestress of the Göktürks is a she-wolf, mentioned yet unnamed in two different "Wolf Tales". [2] The legend of Asena tells of a young boy who survived a battle; a female wolf finds the injured child and nurses him back to health.
Since 1990 there has been a resurgence in the practice of tā moko for both men and women, as a sign of cultural identity and a reflection of the general revival of the language and culture. Most tā moko applied today is done using a tattoo machine, but there has also been a revival of the use of uhi (chisels). [7]
However, there was a movement to revive the practice as a symbol of female empowerment and of their Ryukyuan cultural heritage. [4] Some people, concerned about the professional ramifications of permanent tattoos on their hands, turned to temporary Hajichi made using fruit-based inks. However, some traditionalists object to these practices. [4]
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3579 S High St, Columbus, OH · Directions · (614) 409-0683