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Portrait of Mr. Christor. Love, minister. Christopher Love (1618, Cardiff, Wales – 22 August 1651, London) was a Welsh Presbyterian preacher and activist during the English Civil War. In 1651, he was executed by the English government for plotting with the exiled Stuart court. The Puritan faction in England considered Love to be a martyr and ...
John Milton (1608–1674), most famous for his epic poem "Paradise Lost" (1667), was an English poet with religious beliefs emphasizing central Puritanical views.While the work acted as an expression of his despair over the failure of the Puritan Revolution against the English Catholic Church, it also indicated his optimism in human potential.
In addition to the preparation poetry seen by Edward Taylor, the Puritan woman Anne Bradstreet wrote dense poetry of her own. She spoke in a deeply personal manner distant from the general understanding of the role of Puritan women. She used poetry as a mode of demonstrating her love for family, husband, and God.
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The poem is one of Lovelace's best-known works, and its final stanza's first line "Stone walls do not a prison make, Nor iron bars a cage" is often quoted. Lovelace wrote the poem while imprisoned in Gatehouse Prison adjoining Westminster Abbey due to his effort to have the Clergy Act 1640 annulled.
As defined by Patricia Caldwell, the conversion narrative was "a testimony of personal religious experience…spoken or read aloud to the entire congregation of a gathered church before admission as evidence of the applicant's visible sainthood" [1] Edmund S. Morgan describes the typical "morphology of conversion" related in the conversion narrative as involving the stages of "knowledge ...
Collinson has discussed a moderate Puritanism, as contrasted to an extreme Puritanism that demanded presbyterianism in church polity. [11] Ferrell argues that conforming Puritanism was at the same time part of a theological consensus, and in terms of church polity a target of the sustained and divisive Jacobean polemical campaign against ...
When read out of context, it may be understood as a "sentimental" endorsement of "love enduring beyond the grave". However, the poem as a whole is rather more nuanced, and challenges a simple romantic interpretation, even if in the end it is conceded to have "an inevitable ring of truth – if only because we want so much to hear it". [23]