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One of the recurring elements in Indian art, often found as gatekeepers in ancient Buddhist and Hindu temples, is a yakshini with her foot on the trunk and her hands holding the branch of a stylized flowering ashoka or, less frequently, other tree with flowers or fruits.
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Salabhanjika, Hoysala era sculpture, Belur, Karnataka, India. A salabhanjika or shalabhanjika is a term found in Indian art and literature with a variety of meanings. In Buddhist art, it means an image of a woman or yakshi next to, often holding, a tree, or a reference to Maya under the sala tree giving birth to Siddhartha (Buddha). [1]
Jains mainly maintain cult images of Arihants and Tirthankaras, who have conquered the inner passions and attained moksha. Yakshas and yakshinis are found in pair around the cult images of Jinas, serving as guardian deities. The yaksha is generally on the right-hand side of the Jina image while the yakshini is on the left-hand side. They are ...
Tree deities were common in ancient Northern European lore. In Charlemagne's time, following the Capitulatio de partibus Saxoniae in 782 offerings to sacred trees or any other form of worship of the spirits of trees and springs were outlawed. Even as late as 1227 the Synod of Trier decreed that the worship of trees and sources was forbidden. [5]
By projecting all three images onto a screen simultaneously, he was able to recreate the original image of the ribbon. #4 London, Kodachrome Image credits: Chalmers Butterfield
The Didarganj Yakshi (or Didarganj Chauri Bearer; Hindi: दीदारगंज यक्षी) is one of the finest examples of very early Indian stone statues.It used to be dated to the 3rd century BCE, as it has the fine Mauryan polish associated with Mauryan art, but another Yakshi is also found but without polish so it is also dated to approximately the 2nd century CE, based on the ...
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