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  2. Takashi Murakami uses AI to help recreate ancient Japanese ...

    www.aol.com/news/takashi-murakami-uses-ai-help...

    Takashi Murakami, one of Japan’s most successful post-war artists, has used AI to recreate Iwasa Matabei’s famous 17th-century epic gold leaf painting ‘Rakuchu Rakugai Zu Byobu’ — with ...

  3. Takashi Murakami - Wikipedia

    en.wikipedia.org/wiki/Takashi_Murakami

    Takashi Murakami (村上 隆, Murakami Takashi, born February 1, 1962) is a Japanese contemporary artist. He works in fine arts (such as painting and sculpture) as well as commercial media (such as fashion , merchandise, and animation) and is known for blurring the line between high and low arts .

  4. My Lonesome Cowboy - Wikipedia

    en.wikipedia.org/wiki/My_Lonesome_Cowboy

    Produced during Murakami's so-called "bodily fluids" period, the 9.45 ft-tall (288 cm) statue depicts an anime-inspired figure ejaculating a large strand of semen. Like its companion piece Hiropon, My Lonesome Cowboy is an example of superflat art, an art movement founded by Murakami in the 1990s to criticize Japanese consumer culture. The ...

  5. Superflat - Wikipedia

    en.wikipedia.org/wiki/Superflat

    Superflat is a postmodern art movement, founded by Japanese contemporary artist Takashi Murakami, which is influenced by manga and anime. [2] However, superflat does not have an explicit definition because Takashi Murakami does not want to limit the movement, but rather leave room for it to grow and evolve over time.

  6. Takashi Murakami Launches His First-Ever NFT Art Piece - AOL

    www.aol.com/news/takashi-murakami-launches-first...

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  7. Little Boy: The Arts of Japan's Exploding Subculture - Wikipedia

    en.wikipedia.org/wiki/Little_Boy:_The_Arts_of...

    Takashi Murakami coined the term superflat to argue for the two-dimensional sensibility and specific visual aspects of manga (comics), anime (animated television and cinema), and earlier Japanese art such as ukiyo-e, in conjunction to contemporary, "Neo-pop" artists from Japan.

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