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This was the second time Williams had written a theme for a Star Wars project for which he was not the main composer, following Solo. Holt described William's theme as "reflective" and "just entirely appropriate" for the series. [3] Holt had begun composing her own music before Williams had created and recorded his new Obi-Wan theme. [11]
1996: Williams' Star Wars themes used in video game Star Wars: Shadows of the Empire scored by Joel McNeely. 1997: Williams' Star Wars themes used in video game Star Wars: X-Wing vs. TIE Fighter scored by Peter McConnell. 1997: Williams' Star Wars themes used in video game Star Wars Jedi Knight: Dark Forces II also scored by Peter McConnell.
Returning: Star Wars Theme, Secondary Star Wars Theme, Millennium Falcon, The Force Theme, Leia's Theme, Yoda's Theme, Luke and Leia, Han Solo and the Princess, The Imperial March, Spaceship Dogfight Motif, Death Star motif, [66] The Emperor's Theme, Poe's Theme, Rey's Themes, Kylo Ren's themes, First Order, Tension figure, Snoke's Theme, Jedi ...
The main theme, "Rey's Theme", was the subject of mass acclaim, with the track reaching 10 million views on YouTube. For the score, John Williams received his 50th Oscar nomination, being nominated for the Academy Award for Best Original Score, his first nomination for a Star Wars film since Return of the Jedi.
U/Gen-10: Tom and Jerry Meet Sherlock Holmes: 2011 Bounty Killer: Slightly Single in L.A. Quest for Zhu: Tom and Jerry and the Wizard of Oz: 2012 Soldiers of Fortune: with Joseph LoDuca: Tom and Jerry: Robin Hood and His Merry Mouse: 2013 Dog It Down: Slightly Single in L.A. Tom and Jerry's Giant Adventure: 2014 Tom and Jerry: The Lost Dragon: 2015
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Andor is the first Star Wars project Britell has scored, who admits to being a huge fan of the franchise as well as a fan of Gilroy's work. They first met in August 2020, joined by the executive producer Kathleen Kennedy , who demanded the series have a unique sound.
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