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2. Traynor Amplifiers - Wikipedia

   en.wikipedia.org/wiki/Traynor_Amplifiers

   YCX212 – 160-watt, 2x12" Celestion speakers. YCS412 – 240-watt / Angled, 4x12" Celestion Vintage 30 speakers, with versatile 4 or 16 ohm operation, or 2x8ohm stereo operation. YCS412V – 300-watt / 4x12-inch Angled, 4x12" Celestion G12T-75 speakers, with versatile 4 or 16 ohm operation, or 2x8ohm stereo operation.

3. Celestion - Wikipedia

   en.wikipedia.org/wiki/Celestion

   Somewhere around 1969 the Celestion Ditton range of consumer stereo teak veneered floor speakers was unleashed on the British public. The range would go on to include smaller bookshelf models, but initially the lowest model was the very popular Ditton 15, to be renamed the 15XR (see the catalogue from 1978), and the top of the range was the formidable and always rare Ditton 66.

4. Fender Super Reverb - Wikipedia

   en.wikipedia.org/wiki/Fender_Super_Reverb

   The Super Six Reverb is essentially a master volume Twin Reverb or Dual Showman Reverb equipped with six Oxford 10L6 (or CTS 10" AlNiCo) speakers featuring 10"/5.2 ohms (8 ohms each in series-parallel) and 100 watts RMS (changed to 135W in 1977).

5. Deacy Amp - Wikipedia

   en.wikipedia.org/wiki/Deacy_Amp

   The Deacy Amp (pronounced "Deeky" / ˈ d iː k i /) is an electric guitar amplifier created in 1972 [1] by Queen's bassist John Deacon, who is an electronics engineer by training. . The amplifier circuit board from a Supersonic PR80 portable radio found in a builder's skip (dumpster) was fitted into a speaker cabinet and powered by a 9-volt batte

6. Fiat G.12 - Wikipedia

   en.wikipedia.org/wiki/Fiat_G.12

   G.12C 14-passenger transport aircraft, powered by three 574 kW (770 hp) Fiat A.74 R.C.42 radial engines. G.12 Gondar Long-range cargo transport aircraft. G.12GA Long-range transport aircraft, fitted with extra fuel tanks.

7. Romantic Pieces (Dvořák) - Wikipedia

   en.wikipedia.org/wiki/Romantic_Pieces_(Dvořák)

   He called the new version Romantic Pieces, Op. 75. The only date appears at the end of the manuscript – 25 January 1887. The only date appears at the end of the manuscript – 25 January 1887. Dvořák later completely forgot about the existence of the trio, and years later in 1901 explained to Simrock that "...what is supposed to be a trio ...