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The Final Cut is the twelfth studio album by the English rock band Pink Floyd, released on 21 March 1983 through Harvest and Columbia Records.It comprises unused material from the band's previous studio album, The Wall (1979), alongside new material recorded throughout 1982.
Pink Floyd are an English rock band who recorded material for fifteen studio albums, three soundtrack albums, three live albums, eight compilation albums, four box sets, as well as material that, to this day, remains unreleased during their five decade career. There are currently 222 songs on this list.
Both appear on Pink Floyd's second album, A Saucerful of Secrets, [10] the first of several to feature cover artwork by Hipgnosis. [11] In 1969, Pink Floyd released a soundtrack album, More, and a combined live and studio album, Ummagumma. [12] Atom Heart Mother (1970) was a collaboration with Ron Geesin, featuring an orchestra and choir. [13]
At the end of the song he attempts suicide but "never had the nerve to make the final cut". Additionally, the song may be told from its main character of Pink. "The Final Cut" is one of four songs (along with "The Hero's Return", "One of the Few", and "Your Possible Pasts") used in The Final Cut that had been previously rejected from The Wall.
"The Gunner's Dream" is a song from Pink Floyd's 1983 album The Final Cut. [1] [2] This song was one of several to be considered for the band's "best of" album, Echoes: The Best of Pink Floyd. [3] The song tells the story and thoughts of an airman gunner as he falls to his death during a raid, dreaming of a safe world in the future, without war.
In a review for The Final Cut, Justin Gerber of Consequence of Sound described "Two Suns in the Sunset" as "the album's crowning achievement." [10] Toby Manning was less enthusiastic in his retrospective review, saying that this was the one song off The Final Cut where the musician Waters couldn't stay on the same level as the conceptualist ...
The song appears on their 1983 album, The Final Cut. [2] It is the eighth track on the album and is arranged between "Get Your Filthy Hands Off My Desert" and "Southampton Dock". The song is also featured on the Pink Floyd compilations Echoes: The Best of Pink Floyd [3] and A Foot in the Door – The Best of Pink Floyd. [4]
CBS representative Stephen Ralbovsky hoped for a new Pink Floyd album, but in a meeting in November 1986, told Gilmour and Ezrin that the music "doesn't sound a fucking thing like Pink Floyd". [24] By the end of that year, Gilmour had decided to make the material into a Pink Floyd project, [ 9 ] and agreed to rework the material that Ralbovsky ...
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