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Stage lighting is the craft of lighting as it applies to the production of theater, dance, opera, and other performance arts. [1] Several different types of stage lighting instruments are used in this discipline. [2] In addition to basic lighting, modern stage lighting can also include special effects, such as lasers and fog machines.
A spotlight is any lighting instrument used in theater to create a pool of light on the stage. [18] There are many different types of spotlights which break down into three general areas: Fresnel lanterns or Fresnels (US) are small fixtures giving a soft-edged spot or pool of light. Their name comes from the distinctive ridged Fresnel lens used ...
A color scroller, color changer, or "scroller" is a lighting accessory used to change color gels on stage lighting instruments without the need of a person to be in the vicinity of the light. [5] It is attached in the gel frame holder on the outside of a lighting instrument, immediately in front of lens assembly.
A lighting control console (also called a lightboard, lighting board, or lighting desk) is an electronic device used in theatrical lighting design to control multiple stage lights at once. They are used throughout the entertainment industry and are normally placed at the front of house (FOH) position or in a control booth .
A strong light source, often a high-intensity discharge lamp with a high colour temperature. A lens which can be manually focused. A manual device to change the intensity of the beam, especially when an HID source which can not be electronically dimmed, is used. An "iris" to adjust the size of the spot/angle of the beam.
The Broadway musical A Chorus Line was lit using conventional lighting instruments. Lighting at the 2005 Classical Spectacular Concert. In theatre, a lighting designer (or LD) works with the director, choreographer, set designer, costume designer, and sound designer to create the lighting, atmosphere, and time of day for the production in response to the text while keeping in mind issues of ...
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