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Evolution is the first of two albums released in 1967 by British pop rock band the Hollies. It is their sixth UK album and peaked at number 13 on the UK Albums Chart. [6] In 1978, Parlophone reissued the stereo version of Evolution, along with Butterfly and Confessions of the Mind.
The Hollies were forced to continue their touring commitments without him, using Tony Mansfield, Dougie Wright and Tony Newman as stand-ins for further live dates, and Wright, Mitch Mitchell and Clem Cattini when they began recording for their next album, Evolution, which was released on 1 June 1967, the same day as the Beatles' Sgt. Pepper's ...
A total of 15 albums by the Hollies have charted on the UK Albums Chart, 13 have charted on the Billboard 200, five have charted on the VG-lista albums chart, four have charted in the Netherlands, and six have charted on RPM magazine's Top Albums chart.
Pages for logged out editors learn more. Contributions; Talk; Evolution (The Hollies album)
The Hollies' version was praised by Paul McCartney, who thought Graham Nash's soaring tenor in the chorus was a trumpet. [citation needed] Billboard described the song as a "pulsating number with driving dance beat." [4] After "I Can't Let Go" was recorded Haydock was replaced by Bernie Calvert, who played on the band's next single ("Bus Stop ...
Two versions of this song were released by the Hollies. An alternate take with prominent acoustic guitars and a different intro was included on the band's 1968 greatest hits album in the UK. While a top 10 hit in the UK, it failed to chart entirely in the US and Canada where it was released two months later on the Imperial and Capitol labels ...
Two Yanks in England is an album by The Everly Brothers, released in 1966. Despite the album title and packaging, only half the tracks were recorded in England; six of the twelve tracks were recorded in Hollywood. The backing band on half the recordings are members of The Hollies, augmented by session players.
"Bus Stop" is a song recorded and released as a single by the British rock band the Hollies in 1966. It reached No. 5 in the UK Singles Chart. [6] It was the Hollies' first US top ten hit, [7] reaching No. 5 on the Billboard charts in September 1966. In Canada the song reached No. 1 and was their second top ten hit there.