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Since there is very little color in the interior, the stained glass plays a very prominent role. They were made from designs by Louis Barrilet (1889-1948) that were crafted by Jacques Le Chevalier (1896-1987( and Theodore-Gerard Hanssen (1885-1957), and feature cross of faces.
The main entrance consists of a modern door in front of the original paired glazed doors and a round glass transom. It opens into a small vestibule , which in turn leads through another pair of doors with stained glass lights and transom, possibly depicting scenes from Forsyth family history in a Romantic medieval fashion, into the L-shaped ...
Hubbell produced hand-crafted doors, stained-glass windows, gates, and sculpture using wood, stone, metal, glass and clay. His art and architecture were installed in homes, schools, gardens, pavilions, nature centers, churches, monasteries, a sorority house, museums and peace parks in California, Mexico, and worldwide.
The designs of the glass displayed rich decoration, an elegance of figures and a precision of gestures not seen before in stained glass. [ 9 ] [ 13 ] The Sainte-Chapelle window styles found an immediate echo in the windows of other 13th century cathedrals and churches, notably Soissons Cathedral , made shortly after Sainte-Chapelle, likely by ...
At the age of 77, Matisse began the project and spent more than four years working on the chapel, its architecture, stained-glass windows, interior murals and ceramics, liturgical furnishings, and the priests' vestments. While Matisse had been baptized a Catholic, he had not practiced the religion for many years.
The stained glass windows were praised by art and architecture scholar Nikolaus Pevsner as using "extraordinary technique with rough pieces of coloured glass like crystals" [22] and by Historic England as "brilliant and innovative artistic glass". [21]
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