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Asetek quick release (with USB and power) Front: Proprietary (M5) Under: 2 T-slots, 87 mm c-c (M6) Asetek's entry-level model. Power and USB to the steering wheel through the quick release, via a hollow drive shaft and a slip ring. Integrated measurement of the motors torque output. Initial models only for PC via USB-C.
Some steering wheels can be mounted on a detachable or a quick-release hub. The steering wheel can be removed without using tools by pressing a button. The system is often found in narrow-spaced racing cars to facilitate the driver getting in and out, as well as in other cars as an anti-theft device. [ 36 ]
Hub-center steering (HCS) is one of several different types of front-end suspension/steering mechanisms used in motorcycles and cargo bicycles. Hub-center steering is characterized by the steering pivot points being inside the hub of the wheel, rather than above the wheel in the headstock as in the traditional layout.
The wheel and tire assembly attach to the hub or spindle of the knuckle where the tire/wheel rotates while being held in a stable plane of motion by the knuckle/suspension assembly. In the attached photograph of a double-wishbone suspension, the knuckle is shown attached to the upper control arm at the top and the lower control arm at the bottom.
Quick release skewer, removed from a hub, in the closed position Hub with its skewer mounted Quick release clamp on a seatpost. A quick release skewer is a mechanism for attaching a wheel to a bicycle. It consists of a rod threaded on one end and with a lever operated cam assembly on the other.
Quik Is The Name is the debut studio album by American hip hop artist and producer DJ Quik, released by Profile Records on January 15, 1991. The album was produced by DJ Quik and his executive producers Courtney Branch and Tracy Kendrick.
Hub-Tones is an album by trumpeter Freddie Hubbard recorded on October 10, 1962, and released on the Blue Note label as BLP 4115 and BST 84115. It contains performances by Hubbard, James Spaulding, Herbie Hancock, Reggie Workman and Clifford Jarvis. The cover artwork was designed by Reid Miles with photography by Francis Wolff.
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