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The Jesus Film Project is an organization created in 1981 by Campus Crusade for Christ founder Bill Bright to distribute the 1979 film, Jesus, not only in English, but also in many of the world's languages with the stated goal of reaching "every nation, tribe, people and tongue, helping them see and hear the story of Jesus in a language they can understand."
Jesus (also known as The Jesus Film) is a 1979 American Biblical drama film directed by Peter Sykes and John Krish, and produced by John Heyman. In Jesus , the life of Jesus Christ is depicted, primarily using the Gospel of Luke as the main basis for the story.
The book is a bilingual (German/English) compilation of materials documenting the three years of the Jesus Film project, ranging from the initial ideas and research in 1984, through facsimiles of the Jesus Letters that were sent to participating filmmakers, a detailed project diary with notes on the dynamics of group work, additional production ...
Since around 1979, a chain letter has falsely claimed that a film is in the works in which Jesus will be depicted as gay and involved in a promiscuous swinger lifestyle. [a] Born of half-truths regarding The Many Faces of Jesus, Jens Jørgen Thorsen's abandoned pornographic film about Jesus, the hoax initially implied that the film's would-be producer was a magazine that had run a poll about ...
While Martin Scorsese is celebrating his latest epic “Killers of the Flower Moon” on the awards circuit, the filmmaker is already teasing what could be his next movie, based on Shūsaku Endō ...
Brian Deacon (born 13 February 1949) is a British actor known for portraying Jesus in the 1979 film Jesus, which was made by the evangelical organization The Jesus Film Project. [1] [2] Deacon was chosen for the part out of a field of 900 actors screen tested by producer John Heyman. [3]
Martin Scorsese is on a post-Cannes tour of Italy where over the weekend the director, known for having a religious bent, met with Pope Francis and announced that he will make a film about Jesus.
The film focuses on the tiring, centuries-long state of resilience Black women have been forced to operate within: turning the other cheek, standing strong against generational hatred, being twice ...