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Jusepe de Ribera (Valencian: [josep ðe riˈβeɾa]; baptised 17 February 1591 – 3 November 1652) was a Spanish painter and printmaker.Ribera, Francisco de Zurbarán, Bartolomé Esteban Murillo, and the singular Diego Velázquez, are regarded as the major artists of Spanish Baroque painting.
The Martyrdom of Saint Bartholomew (c. 1630–1640) by Jusepe de Ribera. The Martyrdom of Saint Bartholomew is a painting by the Naples-based Spanish artist Jusepe de Ribera, produced between 1630 and 1640 and now in the Galleria Palatina of the Uffizi in Florence.
Allegories of the Five Senses is a series of early-17th-century paintings by the Spanish artist Jusepe de Ribera. One of the series ( Hearing ) has been lost and is known only through copies. According to the art historian Giulio Mancini , a contemporary of the artist, their commissioner was Spanish but they were probably produced during Ribera ...
The painting follows the text by Jacobus de Voragine in the 'Golden Legend', which is the Christian version of the fable of the satyr Marsyas, who suffered the same punishment as Saint Bartholomew. This is a work demonstrating the excellent art of Lo Spagnoletto. Before entering its present home it belonged to the illustrator Alexandre de ...
Saint Andrew is an early painting by Jusepe de Ribera, now in the Quadreria dei Girolamini in Naples. It shows Andrew the Apostle with his diagonal cross behind him. The work was probably produced sometime between 1600 and 1625 during his first stay in Naples just after his time in Rome whilst still heavily influenced by Caravaggism .
Saint Peter and Saint Paul is a circa 1616 Catholic Baroque painting by the Spanish-born Neapolitan artist Jusepe de Ribera. It is on display in the Musée des Beaux-Arts of Strasbourg, France. Its inventory number is 180. [2]
Saint Jerome is a 1651 oil on canvas painting by Jusepe de Ribera.With Saint Sebastian and Saint Bruno Receiving the Rule, it forms a set of three paintings commissioned from him for the private quarters of the prior of the Certosa di San Martino in Naples, where they still hang. [1]
The philosopher is portrayed half-length, dressed as a beggar and holding a compass with his right hand, while with his left he holds some papers where some geometric symbols are represented. On the spine of the book, lower right, the signature and the date are written, "Jusepe de Ribera español / F 1630". The painting is cropped on the right ...