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Expressionism is a modernist movement, initially in poetry and painting, originating in Northern Europe around the beginning of the 20th century. Its typical trait is to present the world solely from a subjective perspective, distorting it radically for emotional effect in order to evoke moods or ideas.
Chaïm Soutine (French: [ʃaim sutin]; Russian: Хаим Соломонович Сутин, romanized: Khaim Solomonovich Sutin; Yiddish: חײם סוטין, romanized: Chaim Sutin; 13 January 1893 – 9 August 1943) was a French painter of Belarusian-Jewish origin of the School of Paris, who made a major contribution to the Expressionist movement while living and working in Paris.
Paul Klee (German: [paʊ̯l ˈkleː]; 18 December 1879 – 29 June 1940) was a Swiss-born German artist.His highly individual style was influenced by movements in art that included expressionism, cubism, and surrealism.
An art movement is a tendency or style in art with a specific art philosophy or goal, followed by a group of artists during a specific period of time, (usually a few months, years or decades) or, at least, with the heyday of the movement defined within a number of years.
Expressionism is a tendency in art to distort reality for emotional effect, however the term is applied mainly to 20th century works. Subcategories. This category has ...
Expressionism on the American stage: Paul Green and Kurt Weill's Johnny Johnson (1936). Expressionism was a movement in drama and theatre that principally developed in Germany in the early decades of the 20th century. It was then popularized in the United States, Spain, China, the U.K., and all around the world.
This is a list of alternative rock artists. Bands are listed alphabetically by the first letter in their name (not including "The"), and individuals are listed by the first name.
Boston Expressionism is an arts movement marked by emotional directness, dark humor, social and spiritual themes, and a tendency toward figuration strong enough that Boston Figurative Expressionism [1] is sometimes used as an alternate term to distinguish it from abstract expressionism, with which it overlapped.