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The score received positive critical response from music critics. Jonathan Broxton wrote "When compared to some of 2014’s other outstanding animation scores, like How To Train Your Dragon 2, The Boxtrolls, or even something like Fredrik Weidmann’s Son of Batman, The Book of Life is a fairly slight score; enjoyable, but not at the same level as its contemporaries."
The muse behind the song was Sister Gregory, the head of Drama at Rosary College in Illinois. The letters that she sent to Hammerstein and to Mary Martin, the first Maria von Trapp on Broadway, described the parallels between a nun's choice for a religious life and the choices that humans must make to find their purpose and direction in life ...
16 mm film showing a sound track at right [1]. A soundtrack [2] is a recorded audio signal accompanying and synchronised to the images of a book, drama, motion picture, radio program, television program, or video game; colloquially, a commercially released soundtrack album of music as featured in the soundtrack of a film, video, or television presentation; or the physical area of a film that ...
The film's director, Garth Jennings, acted as the executive producer on the soundtrack. The songs were picked regarding the mood of the characters and their intentions, [17] with "I Still Haven't Found What I'm Looking For" (a song performed by U2) used as it "fits the emotional resolution of that film" and Bomba Estéreo's "Soy Yo" is played when "characters are at their lowest moment, and ...
The whole album, Songs for Swining Larvae, is inspired by insects. [9] There Ain't No Bugs On Me: Insects-general (Traditional folk song) (Traditional folk song) Unknown: Folk: There is a popular recording of this song by Jerry Garcia and David Grisman on the album, Not for Kids Only. Dog and Butterfly: Lepidoptera: Ann Wilson N/ancy Wilson ...
The song "Fly" was featured in Wes Anderson's 2001 film The Royal Tenenbaums and appeared on its soundtrack. [25] The song "One of These Things First" was featured in the 2004 film Garden State and on the Grammy Award-winning soundtrack, compiled by Zach Braff. [26] The song was also used in the 2008 film Seven Pounds starring Will Smith. [27]
[18] The Austin Chronicle called the song an "exhilarating rush", [19] while Steve Morse of The Boston Globe said the album "follows the lead" of "The Fly" with a heavier, more industrial-influenced sound. [20] Entertainment Weekly was less receptive to the song, asserting that it "rocks out but goes overboard with the psychedelic foofooraw." [21]
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