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The Three Oaths is the name for a midrash found in the Babylonian Talmud, and midrash anthologies, that interprets three verses from Song of Solomon as God imposing three oaths upon the world. Two oaths pertain to the Jewish people and a third oath applies to the gentile nations of the world.
Jewish partisans' anthem in the Jewish partisans' memorial in Giv'ataym, Israel Jewish partisans' anthem in the Jewish partisans' memorial in Bat-Yam "Zog nit keyn mol" (Never Say; Yiddish: זאָג ניט קיין מאָל, [zɔg nit kɛjn mɔl]) sometimes "Zog nit keynmol" or "Partizaner lid" [Partisan Song]) is a Yiddish song considered one of the chief anthems of Holocaust survivors and is ...
The history of religious Jewish music is about the cantorial, synagogal, and the Temple music from Biblical to Modern times. The earliest synagogal music was based on the same system as that used in the Temple in Jerusalem. According to the Mishnah, the regular Temple orchestra consisted of twelve instruments, and the choir of twelve male singers.
Jewish rock is a form of contemporary Jewish religious music that is influenced by various forms of secular rock music.Pioneered by contemporary folk artists like Rabbi Shlomo Carlebach and the Diaspora Yeshiva Band, the genre gained popularity in the 1990s and 2000s with bands like Soulfarm, Blue Fringe, and Moshav Band that appealed to teens and college students, while artists like Matisyahu ...
The music may have preserved a few phrases in the reading of scripture which recalled songs from the Temple itself; but generally it echoed the tones which the Jew of each age and country heard around him, not merely in the actual borrowing of tunes, but more in the tonality on which the local music was based. These elements persist side by ...
Jewish liturgical music is characterized by a set of musical modes. The prayer modes form part of what is known as the musical nusach (tradition) of a community, and serve both to identify different types of prayer and to link those prayers to the time of year or even time of day in which they are set.
An early influence on Orthodox pop was the 1971 album Or Chodosh, the debut of an eponymous group created by Sh'or Yoshuv roommates Rabbi Shmuel Brazil, who would later create the group Regesh, and Yossi Toiv, later known as Country Yossi; the group performed at Brooklyn College with David Werdyger's son, the young Mordechai Ben David, opening for them.
This practice may have arisen out of a Jewish prohibition of singing songs of the non-Jews (due to the secular character and lyrics of the songs). This was true in the case of Arabic songs, whereby Jews were allowed to listen to the songs, but not allowed to sing them with the text. In order to bypass the problem, many composers, throughout the ...