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Typical live use of a multicore (thick cable on stage) Multicores usually create a link between the stage and sound desk, or live room and control room.When used in sound reinforcement, the multicore cable runs from the stage box or microphone splitter to the front-of-house sound desk, where it connects to a mixing console. [2]
The H2 can record in WAV format (at 96, 48, or 44.1 kHz in either 16 or 24 bit depth). Recording to compressed MP3 format at up to 320 kbit/s or VBR is supported in the 2-channel recording mode. Officially the H2 supports SD flash memory cards, but some SDHC cards of up to 32 GB capacity have been confirmed by Zoom to work. [5]
SoundField was the pioneering company that first commercialized 360-degree surround sound recording (known as 'ambisonic recording') in the late 1970s. SoundField microphones find primary applications in 5.1 and 7.1 live sports broadcasts, video game and film sound design, as well as virtual reality .
Some microphones use other connectors, such as a 5-pin XLR, or mini XLR for connection to portable equipment. Some lavalier (or "lapel", from the days of attaching the microphone to the news reporter's suit lapel) microphones use a proprietary connector for connection to a wireless transmitter, such as a radio pack. Since 2005, professional ...
The channel strips are typically numbered so that the audio engineer can identify the different channels. For each channel input, a mixer provides one or more input jacks. On mid- to large-sized live venues and sound recording consoles, these input jacks are numbered as well and consolidated in a patch bay. On smaller mixers, the input jacks ...
XLR3 cable connectors female (left) and male. The XLR connector is a type of electrical connector primarily used in professional audio, video, and stage lighting equipment. XLR connectors are cylindrical, with three to seven connector pins, and are often employed for analog balanced audio interconnections, AES3 digital audio, portable intercom, DMX512 lighting control, and for low-voltage ...
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