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For example, the word cleave can mean "to cut apart" or "to bind together". This feature is also called enantiosemy, [1] [2] enantionymy (enantio-means "opposite"), antilogy or autoantonymy. An enantiosemic term is by definition polysemic.
The term antonym (and the related antonymy) is commonly taken to be synonymous with opposite, but antonym also has other more restricted meanings. Graded (or gradable) antonyms are word pairs whose meanings are opposite and which lie on a continuous spectrum (hot, cold).
Cut (archaeology), a hole dug in the past; Cut (clothing), the style or shape of a garment; Cut (earthworks), an excavation to make way for a transport route; Cut (gems) Cut of meat; Cut (etiquette), a snub or slight such as failure to greet an acquaintance
In linguistics, converses or relational antonyms are pairs of words that refer to a relationship from opposite points of view, such as parent/child or borrow/lend. [ 1 ] [ 2 ] The relationship between such words is called a converse relation . [ 2 ]
According to Richard C. Steiner, the phrase "to be cut off from one's people" is an antonym for "to be gathered to one's people" (e.g. Genesis 25:8), and thus to be "cut off" in the Bible means to be deprived of the afterlife. [9]
In linguistics, morphology is the study of words, including the principles by which they are formed, and how they relate to one another within a language. [1] [2] Most approaches to morphology investigate the structure of words in terms of morphemes, which are the smallest units in a language with some independent meaning.
Jewish kashrut (kosher) and Islamic dhabihah (halal) dietary laws mandate that slaughter is performed with a cut that immediately severs the esophagus, trachea, and the large blood vessels in the neck, causing loss of consciousness and death by exsanguination. The double-edged pointed knife is prohibited.
Contrast is the antonym of simile. In poetic compositions, it is common for poets to set out an elaborate contrast or elaborate simile as the argument. For example, John Donne and the metaphysical poets developed the conceit as a literary device, where an elaborate, implausible, and surprising analogy was demonstrated.