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The French horn (since the 1930s known simply as the horn in professional music circles) is a brass instrument made of tubing wrapped into a coil with a flared bell. The double horn in F/B ♭ (technically a variety of German horn) is the horn most often used by players in professional orchestras and bands, although the descant and triple horn have become increasingly popular.
B♭ alto — up a perfect fourth. A — up a major third. G — up a major second. E — down a minor second. E♭ — down a major second (used for horn on pitches with multiple sharps until Richard Strauss) D — down a minor third. C — down a perfect fourth. B♭ basso — down a perfect fifth. Some less common transpositions include:
Tuning is done solely by adjusting the tuning slide, unlike the French horn where the pitch is affected by the hand position in the bell. Fingerings for the mellophone are the same as fingerings for the trumpet, tenor horn, and most valved brass instruments. Owing to its use primarily outside concert music, there is little solo literature for ...
The pear-shaped bell (called Liebesfuß) of the cor anglais gives it a more covered timbre than the oboe, closer in tonal quality to the oboe d'amore.Whereas the oboe is the soprano instrument of the oboe family, the cor anglais is generally regarded as the alto member of the family, and the oboe d'amore—pitched between the two in the key of A—as the mezzo-soprano member. [5]
The serpent is a low-pitched early wind instrument in the brass family developed in the Renaissance era. It has a trombone -like mouthpiece, with six tone holes arranged in two groups of three fingered by each hand. It is named for its long, conical bore bent into a snakelike shape, and unlike most brass instruments is made from wood with an ...
e. The flugelhorn (/ ˈfluːɡəlhɔːrn /), also spelled fluegelhorn, flugel horn, or flügelhorn, is a brass instrument that resembles the trumpet and cornet but has a wider, more conical bore. [1] Like trumpets and cornets, most flugelhorns are pitched in B ♭, though some are in C. [2] It is a type of valved bugle, developed in Germany in ...
A small number of cornetts were built with seven holes, and French instruments often lacked a thumbhole. By using "cross fingering" and by varying the embouchure tension, the instrument can play a chromatic scale. A player in 1738 who mastered the cross-fingering and lip tension was documented to have reached 27 notes and half notes. [17]
A note on a stringed instrument where the string is plucked with the left hand (the hand that usually stops the strings) rather than bowed. On the horn, this accent indicates a "stopped note" (a note played with the stopping hand shoved further into the bell of the horn). In percussion this notation denotes, among many other specific uses, to ...