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Tā moko is the permanent marking or "tattoo" as traditionally practised by Māori, the indigenous people of New Zealand. It is one of the five main Polynesian tattoo styles (the other four are Marquesan, Samoan, Tahitian and Hawaiian). [1] Tohunga-tā-moko (tattooists) were considered tapu, or inviolable and sacred. [2]
Ever since, the tattoo was passed on through the generations. [27] Fatok is the term used for tattooing women to show beauty and wealth. [28] When a woman's arm is tattooed just like Whang-od's own tattoos, the family of the woman is obliged to pay the tattoo artist a piglet or a bundle of harvested rice (locally called as dalan). [28]
Yantra tattooing. Yantra tattooing or Sak Yant is a form of tattooing using Indian yantra designs. It consists of sacred geometrical, animal and deity designs accompanied by Pali phrases that are said to offer power, protection, fortune, charisma and other benefits for the bearer.
Batok. Spanish depiction of the tattoos of the Visayan Pintados ("the painted ones") of the Philippines in the Boxer Codex (c.1590), one of the earliest depictions of native Austronesian tattoos by European explorers. Traditional tattoos on a Kalinga woman. Batok, batek, patik, batik, or buri, among other names, are general terms for indigenous ...
3. Located in Brighton, UK, tattoo artist kid__argos provides a look at how stunning the combination of tribal style and a cross can be.
Celtic knots ( Irish: snaidhm Cheilteach, Welsh: cwlwm Celtaidd, Cornish: kolm Keltek, Scottish Gaelic: snaidhm Ceilteach) are a variety of knots and stylized graphical representations of knots used for decoration, used extensively in the Celtic style of Insular art. These knots are most known for their adaptation for use in the ornamentation ...
Between 1603 and 1868, Japanese tattooing was only practiced by the ukiyo (floating world) subculture. Generally firemen, manual workers and prostitutes wore tattoos to communicate their status. [citation needed] By the early 17th century, criminals were widely being tattooed as a visible mark of punishment.
The fourth, a face tattoo influenced by the Māori style tā moko, was designed and inked by S. Victor Whitmill in 2003. Tyson associates it with the Māori being warriors and has called it his "warrior tattoo", a name that has also been used in the news media. Tyson's face tattoo quickly proved iconic and has become strongly associated with him.