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"Porpoise Song" is a song written by Gerry Goffin and Carole King and performed by the Monkees as the theme song for their 1968 film Head and its accompanying soundtrack album. [4] The single version contains an extended instrumental outro not included on the album version or in either of the song's appearances in Head .
"Kids with Guns" is a song from the British virtual band Gorillaz' second album, Demon Days. It was released on 10 April 2006 in the United Kingdom as a double A-side as the fourth and final singles from the album.
Some languages have fixed stress, meaning that the stress on virtually any multisyllable word falls on a particular syllable, such as the penultimate (e.g. Polish) or the first (e.g. Finnish). Other languages, like English and Russian, have lexical stress, where the position of stress in a word is not predictable in that way but lexically encoded.
The duo achieved breakthrough success with their fourth album Blurryface in 2015, which produced the successful singles "Stressed Out" and "Ride". In addition, the single "Heathens", recorded for the soundtrack of the film Suicide Squad, made the group the first alternative artist to have two concurrent top ten singles in the United States.
Children's literature can be traced to traditional stories like fairy tales, that have only been identified as children's literature in the eighteenth century, and songs, part of a wider oral tradition, that adults shared with children before publishing existed. The development of early children's literature, before printing was invented, is ...
"Spiderwebs" is a song by American band No Doubt for their third studio album, Tragic Kingdom (1995). It was written by Gwen Stefani and Tony Kanal, produced by Matthew Wilder, and released as the album's second single on November 19, 1995.
Generation Z (or Gen Z for short), colloquially known as Zoomers, [1] [2] is the demographic cohort succeeding Millennials and preceding Generation Alpha. [3]Members of Generation Z, were born between the mid-to-late 1990s and the early 2010s, with the generation typically being defined as those born from 1997 to 2012.
"I don't play that song live because it's just magic," Davis said. "If I play that song over and over every night, it'd lose its meaning. I don't want people to expect me to freak out like I did on that. That was what happened in that point in time, and that magic was captured, and I don't want to fuck with it." [7]