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Conceptual photography is often used interchangeably with fine-art photography, and there has been some dispute about whether there is a difference between the two. However, the central school of thought is that conceptual photography is a type of fine-art photography. [4] Fine art photography is inclusive of conceptual photography.
Abstract photography, sometimes called non-objective, experimental or conceptual photography, is a means of depicting a visual image that does not have an immediate association with the object world and that has been created through the use of photographic equipment, processes or materials.
They exist both as static and dynamic version, describing both states and processes, [2] compare Containment vs. Going_In/Out, and they are learned from all sensorimodalities. Evidence for image schemas is drawn from a number of related disciplines, including work on cross-modal cognition in psychology , from spatial cognition in both ...
Emotional responses are often regarded as the keystone to experiencing art, and the creation of an emotional experience has been argued as the purpose of artistic expression. [2] Research has shown that the neurological underpinnings of perceiving art differ from those used in standard object recognition. [3]
Visual autoethnography is an autoethnographic qualitative research method in which an author uses self-reflection and visuals, including photography, painting, drawing, video extracts, film, and/or other forms of visual expression to engage with personal experiences and connect them to wider cultural, political, and social phenomena.
A famous example of title confusion that altered a work's title/image relationship, and thus its ostensive meaning, is a painting titled La trahison des images (The treachery of images), by René Magritte, that is often referred to as "This is not a pipe". It contains an image of a pipe as well as the legend "This is not a pipe," even though ...
The theory of constructed emotion (formerly the conceptual act model of emotion [1]) is a theory in affective science proposed by Lisa Feldman Barrett to explain the experience and perception of emotion. [2] [3] The theory posits that instances of emotion are constructed predictively by the brain in the moment as needed.
Example of a low-key photograph. Low-key photography is a genre of photography consisting of shooting dark-colored scenes by lowering or dimming the "key" or front light illuminating the scene (low-key lighting), and emphasizing natural [1] or artificial light [2] only on specific areas in the frame. [3]