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The Classification of types of construction (CC), is a nomenclature for the classification of constructions (i.e. buildings) according to their type.It is based on the CPC that was published by the United Nations in 1991.
CAD: computer-aided design, computer-aided drafting; cadmium [plating]: CAGE: Commercial and Government Entity [code]: A CAGE code is a unique identifier to label an entity (that is, a specific government agency or corporation at a specific site) that is a CDA, ODA, or MFR of the part defined by the drawing.
In ecclesial architecture, it is also used of the area between the baluster of a Catholic church and the high altar (what is usually called the sanctuary or chancel). Peristyle A continuous porch of columns surrounding a courtyard or garden (see also Peristasis). In ecclesial architecture, the term cloister is used. Phiale
To ensure this designers utilize the C-value, defined as the vertical distance from a spectator's eyes to sightline of the spectator directly behind. The C-value is determined in part by the rake, that is, the upward slope of the seating. [3] The stadium bowl rake if based on consistent C-values will follow a parabolic curve in section.
Architecture is variously defined in conflicting ways, highlighting the difficulty of describing the scope of the subject precisely: [1] [2] [3] A general term to describe buildings and other physical structures – although not all buildings are generally considered to be architecture, and infrastructure (bridges, roads etc.) is civil engineering, not architecture.
Architecture is the art and science of designing buildings. A wider definition includes all design of the built environment, urban planning, urban design, ...
In architecture, a clerestory (/ ˈ k l ɪər s t ɔːr i / KLEER-stor-ee; lit. ' clear storey ', also clearstory, clearstorey, or overstorey; from Old French cler estor) is a high section of wall that contains windows above eye-level. Its purpose is to admit light, fresh air, or both.
Complexity and Contradiction in Architecture is the title of a book by the American architect Robert Venturi.It was first published in 1966 by Museum of Modern Art in New York City and has since been translated into 16 languages, and is considered one of the most important works of architectural literature.