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Canntaireachd (Scottish Gaelic for 'chanting'; pronounced [ˈkʰãũn̪ˠt̪ɛɾʲəxk]) is the ancient method of teaching, learning and memorizing Piobaireachd (also spelt Pibroch), a type of music primarily played on the Great Highland bagpipe. In the canntairached method of instruction, the teacher sings or hums the tune to the pupil ...
As with the Highland pipes, the basic scale is a mixolydian scale on A. Some chanters can play chromatic notes however, and some old tunes, for instance Bold Wilkinson or Wat ye what I got late yestreen, suggest a dorian scale may also sometimes have been used, requiring a minor third instead of the major third of the mixolydian scale. This ...
Highland bagpipe music is written in the key of D major, where the C and F are sharp (despite the key-signature usually being omitted from scores), however only some tunes are in D major. Due to the lack of chromatic notes , to change key is also to change modes; tunes are in A Mixolydian (most commonly), D major , B minor , or occasionally E ...
Scottish smallpipes are distinguished from the Northumbrian smallpipes by the open ended chanter, and usually by the lack of keys.This means that the sound of the chanter is continuous, rather than staccato, and that its range is only nine notes, rather than the octave and a sixth range of the later 18th/early 19th century Northumbrian pipes.
The kaba gaida ('large gaida' [1]) or rodopska gaida (Rhodope gaida), is the bagpipe of the central Rhodope mountains, it is a distinctive symbol of Bulgarian folk music. It is made from wood, horn, animal skin and cotton, and is similar to the gaida, but lower pitched and usually with a larger bag. The chanter has a specific curve at the end ...
Tunes using the gaita are usually songs, with the voice either accompanying the instrumentation or taking turns with it. The most common type is the muiñeira , a sprightly 6/8 rhythm. Other 6/8 Galician tunes use different steps; they include the carballesa , ribeirana , redonda , chouteira and contrapaso .
The earliest known description of such an instrument in Britain is in the Talbot manuscript [7] from about 1695. The descriptions of bagpipes mentioned in this early source are reproduced in [8] One of these instruments was a bellows-blown 'Bagpipe, Scotch', with three drones, whose keyless chanter had a one-octave range from G to g, with each note being sounded by uncovering a single hole, as ...
Bellows-blown bagpipe with keyed or un-keyed 2-octave chanter, 3 drones and 3 regulators. The most common type of bagpipes in Irish traditional music. Great Irish Warpipes: One of the earliest references to the Irish bagpipes comes from an account of the funeral of Donnchadh mac Ceallach, king of Osraige in AD 927. [1]