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Latin percussion is a family of percussion, membranophone, lamellophone and idiophone instruments used in Latin music. Instruments. Afro-Cuban and Puerto Rican styles
Instruments classified by Hornbostel–Sachs as struck or friction idiophones, struck or friction membranophones or struck chordophones. Where an instrument meets this definition but is often or traditionally excluded from the term percussion this is noted. Instruments commonly used as unpitched and/or untuned percussion.
The bombo criollo, or simply bombo, is a family of Latin American drums derived from the European bass drum (also called in Spanish bombo) and native Latin American drum traditions. [1] These drums are of smaller dimensions than the orchestral bass drum, and their frame can be made of wood or steel.
Yehuda Glantz, Jewish-Latin musician, frequently performs with a charango. On the live album Granite he informs his audience that he plays a charango from his native Argentina. Monsieur Periné, a Colombian group, features charango in many of their songs, mixing Colombian folk rhythms with gypsy jazz.
The name marimba was later applied to the orchestra instrument inspired by the Latin American model. In the United States, companies like J.C. Deagan and the Leedy Manufacturing Company adapted the Latin American instruments for use in Western music. Metal tubes were used as resonators, fine-tuned by rotating metal discs at the bottom; lowest ...
The traditional instrumentation for a conjunto típico (traditional band), the usual performing group of folk merengue, is a diatonic accordion, a two–sided drum, called a tambora, held on the lap, and a güira. A güira is a percussion instrument that sounds like a maraca. It is a sheet of metal with small bumps on it (created with hammer ...
However, much of the traditional contemporary music of Mexico was written during and after the Spanish colonial period, using many old world influenced instruments. Many traditional instruments, such as the Mexican vihuela used in Mariachi music , were adapted from their old world predecessors and are traditionally considered Mexican.
One of the instrument's early pioneers, Eduardo Arolas, was called the "Tiger of the Bandoneon". Arolas believed the instrument was made to play in tango. Vicente Greco is credited with standardizing tango with his group, Orquesta Tipica Criolla, by using two violins and two bandoneons. The instrumentation of tango remained largely unchanged ...
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