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A torp (Swedish pronunciation:) is a type of cottage emblematic of the Swedish countryside. It comes from the Old Norse þorp. In modern usage, it is the classic Swedish summer house, a small cottage painted in Falu red and white, [1] and evidence of the way in which urbanization came quite late to all of Scandinavia.
Falu red is still widely used in the countryside. The Finnish expression "punainen tupa ja perunamaa" ('a red cottage and a potato patch'), referring to idyllic home and life, is a direct allusion to a country house painted in falu red. Falu red after being mixed and cooked to a paint
Make sure to look for plenty of neutrals and soft colors, androgynous designs and easy-to-layer pieces when you’re channelin Scandinavian Style Is Trending — Shop 17 Picks to Nail the ...
During the period, many Swedish artists moved to continental Europe. A representative of the rococo was Gustaf Lundberg. His technique was long dominant in the Swedish portrait arts, and he is represented at the Louvre and the National Museum and Art Academy. The French painter Guillaume Taraval was called upon to decorate the Royal Palace.
They included shades of green (pigments based on copper or malachite), ultramarine (pigments made from lapis lazuli, seldom used in Swedish church murals), and red (pigments based on cinnabar). [53] Other pigments found in church murals from the 12th and 13th centuries are green earth , atacamite , minium , massicot and azurite , [ 54 ] [ 55 ...
The term derives from ros, applied decoration or embellishment, decorative, decorated [rosut, rosute, rosete, rosa] and å male, to paint.The first element can also be interpreted as a reference to the rose flower, but the floral elements are often so stylized that no specific flower is identifiable, and are absent in some designs.
P.S. Krøyer: Hip, Hip, Hurrah! (1888) depicting the group's festivities Michael Ancher: A Stroll on the Beach (1896). The Skagen Painters (Danish: Skagensmalerne) were a group of Scandinavian artists who gathered in the village of Skagen, the northernmost part of Denmark, from the late 1870s until the turn of the century.
The ideal standard of beauty for women in the Elizabethan era was to have light or naturally red hair, a pale complexion, and red cheeks and lips, drawing on the style of Queen Elizabeth. The goal was to look very "English," since the main enemy of England was Spain, and in Spain darker hair was dominant.