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American propaganda poster from the Philippines depicting the crucified soldier "The Crucified Soldier" was a widespread story or myth among the allies of World War 1, describing German soldiers supposedly crucifying an Allied soldier to a barn door or tree somewhere on the Western Front.
Kaminski, Joseph Jon. "World War I and Propaganda Poster Art: Comparing the United States and German Cases." Epiphany Journal of Transdisciplinary Studies 2 (2014): 64-81. online; Knightley, Phillip (2002), The First Casualty: The War Correspondent as Hero and Myth-Maker from the Crimea to Kosovo, Johns Hopkins UP, ISBN 978-0-8018-6951-8
Comic books have historically been used as a tool of influence, starting predominantly in World War II. During World War II, private comic book publishers and later government comic publications increased and gained popularity among the domestic population and Allied forces. The United States used these comics increasingly as World War II ...
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The entire world seemed to be watching as the events of September 11, 2001 unfolded -- first the attacks on the World Trade Center, then the Pentagon, then the crash of United Airlines Flight 93 ...
An American propaganda poster from World War II produced under the Works Progress Administration. In the United States, propaganda is spread by both government and non-government entities. Throughout its history, to the present day, the United States government has issued various forms of propaganda to both domestic and international audiences.
The Cultural Cold War was a set of propaganda campaigns waged by the United States and the Soviet Union during the Cold War, with each country promoting their own culture, arts, literature, and music. In addition, less overtly, their opposing political choices and ideologies at the expense of the other.
Proud Prophet was a war game played by the United States that was designed by Thomas Schelling and began on June 20, 1983. [1] The simulation was played in real time during the Cold War.