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Tutinama (Persian: طوطینامه), literal meaning "Tales of a Parrot", is a 14th-century series of 52 stories in Persian.The work remains well-known largely because of a number of lavishly illustrated manuscripts, especially a version containing 250 miniature paintings commissioned by the Mughal Emperor Akbar in the 1550s.
A pitiful, twice-born child called parrot, I have been trapped in a cage, Even in my dreams, Lord Shiva, I find not a grain of peace or rest. My brothers, my mother and father, Dwell in a far forest corner, To whom can I pour out my anguish, Lamenting from this cage? Sometimes I weep and shed my tears, Sometimes I am like a corpse,
Kilippattu or parrot song is a genre of Malayalam poems [1] in which the narrator is a parrot, a bee, a swan, and so on. Kiḷippaṭṭu was popularized by the 16th-century poet Ezhuthachan (The Father Of The Malayalam language). In Adhyathmaramayanam (work of Ezhuthachan), each chapter starts with calling of parrot and asking it tell song of ...
The Conference of the Birds or Speech of the Birds (Arabic: منطق الطیر, Manṭiq-uṭ-Ṭayr, also known as مقامات الطیور Maqāmāt-uṭ-Ṭuyūr; 1177) [1] is a Persian poem by Sufi poet Farid ud-Din Attar, commonly known as Attar of Nishapur.
This poem expresses fear, frustration, and faint hope of the colonial poet who had to live in a heartbreaking period of anxiety and fear in the paradoxical situation of 'dead end' and 'open end'. There are various analysis of the '13' children. One of the most common analysis of the number is that it represents the 13 people at the Last Supper.
Huginn and Muninn sit on Odin's shoulders in this illustration from an 18th-century Icelandic manuscript.. In Abrahamic and European mythology, medieval literature and occultism, the language of the birds is postulated as a mystical, perfect divine language, Adamic language, Enochian, angelic language or a mythical or magical language used by birds to communicate with the initiated.
Birds, Beasts and Flowers is a collection of poetry by the English author D. H. Lawrence, first published in 1923. These poems include some of Lawrence's finest reflections on the 'otherness' of the non-human world. Lawrence started the poems in this collection during a stay in San Gervasio near Florence in September 1920.
1. Tiya – The main character, a parrot, inexperienced about the world around it. 2. The Banyan – The tree on which Tiya lives with other birds. The Banyan depicts the world. The Banyan is home to various bird species and quite a few species have been highlighted to bring up the idea of our day to day interactions in the world. [13] 3.