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Mei Takemiya (竹宮芽衣, Takemiya Mei) Portrayed by: Nao Minamisawa [4] Mei is a gentle and kind middle school student who believes in destiny. Atsushi Nishino (西野敦史, Nishino Atsushi) Portrayed by: Junpei Mizobata; [4] Voiced by: Jun Fukuyama [5] Atsushi is a quiet boy in Mei's class who is nicknamed Akkun (アッくん). His mother ...
Mei-Mei (メイメイ), a supporting character from Japanese anime series adaptation of manga Beyblade: Metal Fusion; Mei-Mei Xiang, a supporting character from a 2020 Japanese anime Sword Art Online: Alicization – War of Underworld: Part II; Xiao Mei Mei, a supporting character from a Malaysian animated series Upin & Ipin
Mei (メイ, Mei) Voiced by: Mai Fuchigami (Japanese); Hilary Haag (English) She is one of the technical staff in charge of maintaining the Para-mails, she is also in charge of salvaging downed Para-mails as well as rescuing downed mail-riders who are either alive or dead.
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The Mei-chan no Shitsuji series was ranked 6th best selling manga series in Japan in the first half of 2009 with an estimated 2,580,155 copies sold between November 17, 2008, to May 17, 2009. [6] The first volume of Mei-chan no Shitsuji was ranked the 36th best selling manga in Japan in the first half of 2009 with 334,536 copies sold from ...
The series has three main characters: Wan – the male leader who dresses in red; Bud Mint – the male loner; Mei Mer – the female; To these are added the child Yuni, who is female, and a bulky male Tuttle (so-written in the English subtitles) to complete a typical five-character adventure team.
Pixar's Turning Red, above all, is an ode to girlhood. Director Domee Shi's animated coming-of-age film embeds this in the narrative itself, in the complex bonds between women of different age ...
Turning Red is a 2022 American animated coming-of-age [4] fantasy comedy-drama film produced by Pixar Animation Studios for Walt Disney Pictures.It was directed by Domee Shi and produced by Lindsey Collins, from a screenplay written by Shi and Julia Cho, and a story by Shi, Cho, and Sarah Streicher.
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