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David G. Monette (born 1956, Kalamazoo, Michigan) is an American craftsman who designs and builds custom brass instruments and mouthpieces for musicians. [1] [2]Monette's experience as a trumpeter and the influence of acoustician Arthur Benade led Monette to redesign the trumpet mouthpiece with the goal of improving playability and sound quality.
0.2.0.2 - 4.0.0.0 - strings [6] 2 oboes, 2 bassoons, 4 horns, strings Symphony No. 5 (Beethoven) 3223 / 2230 / timp.perc / str [8] 3.2.2.3 - 2.2.3.0 - timp - strings [6] 3 flutes, 2 oboes, 2 clarinets, 3 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, strings Pictures at an Exhibition (Ravel orchestration) 3(pic)3(ca)33 / 4331 / timp.5perc ...
2 2 / 3 ′ Octave: 2′ Harmonics VI Gross Fourniture III Cymbel IV English Post Horn: 16′ (from English Post Horn 8′) Trompette Harmonique: 8′ English Post Horn: 8′ English Horn: 8′ French Horn: 8′ Clairon Harmonique: 4′ Not enclosed: Flûte d’Arvella (Pedal) 8′ Tuba Magna: 16′ Herald Trumpet: 8′ Millennial Trumpet ...
The Fast 2 has a four-octave keyboard (C to C) with a one-octave manual bass on the left. There are four voice stops (flute, clarinet, reed and strings), all at 8', a two-speed vibrato and an optional swell pedal. The Fast 3 features more sounds, including 16' bass and clarinet, 8' oboe and trumpet, and with 8' and 4' flute.
The trumpet repertoire consists of solo literature and orchestral or, more commonly, band parts written for the trumpet.Tracings its origins to 1500 BC, the trumpet is a musical instrument with the highest register in the brass family.
The trumpet part is marked ad libitum, and although occasionally performed by strings alone, most performances include the trumpet. [ 2 ] Numerous recordings have been made of the work, including performances conducted by Charles Munch , Serge Baudo , Ernest Ansermet , Herbert von Karajan , Mariss Jansons and Charles Dutoit .
A number of concertos and concertante works have been written for cor anglais (English horn) and string, wind, chamber, or full orchestra.. English horn concertos appeared about a century later than oboe solo pieces, mostly because until halfway through the 18th century different instruments (the taille de hautbois, vox humana and the oboe da caccia) had the role of the tenor or alto ...
The concerto is structured in three movements: [2] [3] Allegro; Largo; Allegro; The outer movements display the virtuosity of the soloists in passage-work and fanfares. [3] [2] The two trumpets usually play together in the solo passages, but at times also play with the strings in the tutti parts. [3]