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La resurrezione (The Resurrection), HWV 47, is an oratorio by George Frideric Handel, set to a libretto by Carlo Sigismondo Capece (1652–1728). Capece was court poet to Queen Marie Casimire of Poland , who was living in exile in Rome .
Carlo Sigismondo Capece (21 June 1652 in Rome – 12 March 1728 in Polistena) was an Italian dramatist and librettist. Capece was court poet to Queen Maria Casimira of Poland , who was living in exile in Rome , and is best remembered today for the libretto of La resurrezione (HWV 47, 1708) a sacred oratorio by George Frideric Handel . [ 1 ]
Se pari è la tua fè Probably London, after 1710 158c Se pari è la tua fè London, c. 1725–28 159 Se per fatal destino Rome, early 1707 Copied for Ruspoli, 1707, 1709 160a La bianca rosa or Sei pur bella, pur vezzosa Rome, early 1707 Copied for Ruspoli, 1707, 1709 160b La bianca rosa or Sei pur bella, pur vezzosa London, c. 1725–28 160c
La Passione di Cristo secondo S. Marco (1897) La Trasfigurazione di Cristo (1898) La Resurrezione di Lazzaro (1898) La Resurrezione di Cristo (1898) Il Natale del Redentore (1899) L'entrata di Cristo in Gerusalemme (1900) La Strage degli Innocenti (1900) Mosè (1900) Stabat Mater (1904) Il Giudizio Universale (1904) Dies Iste (1904) Transitus ...
His 1707 oratorios La Resurrezione (HWV 47) and Il trionfo del tempo e del disinganno (HWV 46a), both dedicated to Francesco Maria Marescotti Ruspoli, were performed in Rome at the palaces of the Ruspoli and Ottoboni families. [6] [7] [8] Handel remained in Italy until 1710. Antonio Caldara succeeded him as Kapellmeister to the Ruspoli family ...
The Enchanted Island DVD cover with Joyce DiDonato (top), Danielle de Niese (bottom left), and Plácido Domingo (bottom center). The Enchanted Island is a pasticcio (pastiche) of music by various baroque composers that include George Frideric Handel, Antonio Vivaldi, and Jean-Philippe Rameau. [1]
The Handel Reference Database (HRD) is the largest documentary collection on George Frideric Handel (1685–1759) and his times. [1] It was launched in January 2008 on the server of the Center for Computer Assisted Research in the Humanities (CCARH) at Stanford University.
The structure of Op. 3 is somewhat unusual. The six concertos have anything between two and five movements, but only one of them contains the usual four movements. Only occasionally are the instrumental forces set in the traditional concerto grosso manner: a tutti group and a contrasting, soloistic concertino group.