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Piano & I: A One Night Only Event with Alicia Keys, commonly referred to as Piano & I, was a promotional concert tour by American singer and songwriter Alicia Keys.The tour commemorated the tenth anniversary of Keys' debut album, Songs in A Minor (2001), which Keys re-released in late June 2011, with unreleased tracks, live performances, remixes and a documentary.
The Six Wives of Henry VIII is the second studio album by English keyboardist Rick Wakeman, released in January 1973 on A&M Records.It is an instrumental progressive rock album with its concept based on his interpretations of the musical characteristics of the wives of Henry VIII.
"One More Night" is the first single in the United States and second in the United Kingdom from Phil Collins' third studio album, the Diamond-certified No Jacket Required. [8] " One More Night" was Phil Collins' second U.S. No. 1 single, [ 9 ] following " Against All Odds ", and was his fourth single to reach the top ten in the UK, peaking at ...
"Give Me Just One Night (Una Noche)" is a song by American boy band 98 Degrees, released as the first single from their third studio album, Revelation, on July 31, 2000. It was a success for the group, reaching number two on the US Billboard Hot 100 and on the Canadian RPM 100 Hit Tracks chart, becoming the band's highest-charting solo effort ...
Alexander Scriabin: 24 Preludes, Op. 11 (1893–95) – Scriabin wrote a total of 90 preludes for piano (50 in major keys, 31 in minor keys, and 9 in indeterminate keys). These contained only one complete set of preludes in all 24 major and minor keys. Sergei Rachmaninoff: 24 Preludes, Opp. 3/2, 23, and 32 (1892, 1901–03, and 1910)
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In music theory, the key of a piece is the group of pitches, or scale, that forms the basis of a musical composition in Western classical music, art music, and pop music. Tonality (from "Tonic") or key: Music which uses the notes of a particular scale is said to be "in the key of" that scale or in the tonality of that scale. [1]
All Things Must Pass was critically and commercially successful on release, with long stays at number one on charts worldwide. Co-producer Phil Spector employed his Wall of Sound production technique to notable effect; Ben Gerson of Rolling Stone described the sound as "Wagnerian, Brucknerian, the music of mountain tops and vast horizons". [2]
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