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Ars subtilior (Latin for 'subtler art') is a musical style characterized by rhythmic and notational complexity, centered on Paris, Avignon in southern France, and also in northern Spain at the end of the fourteenth century. [1]
French music history dates back to organum in the 10th century, followed by the Notre Dame School, an organum composition style. Troubadour songs of chivalry and courtly love were composed in the Occitan language between the 10th and 13th centuries, and the Trouvère poet-composers flourished in Northern France during this period.
The popularity of French music in the rest of Europe declined slightly, yet the popular chanson and the old motet were further developed during this time. The epicenter of French music moved from Paris to Burgundy, as it followed the Burgundian School of composers. During the Baroque period, music was simplified and restricted due to Calvinist ...
The following is a chronological list of classical music composers who lived in, worked in, or were citizens of France. This is a dynamic list and may never be able to satisfy particular standards for completeness. You can help by adding missing items with reliable sources. Medieval Leonin (c. 1150 – 1201) Perotin (1160 – 1230) Adam de la Halle (1240 – 1287) Philippe de Vitry (1291 ...
Guillaume de Machaut (French: [ɡi'jom də ma'ʃo], Old French: [ɡiˈʎawmə də maˈtʃaw(θ)]; also Machau and Machault; c. 1300 – April 1377) was a French composer and poet who was the central figure of the ars nova style in late medieval music.
date unknown – Richart de Fournival, French trouvère (d. 1260) 1216 date unknown – Safi al-Din al-Urmawi, musician and theorist (d. 1296) 1217 date unknown – John I, Duke of Brittany, French trouvère (d. 1286) 1221 23 November – Alfonso X of Castile, Spanish monarch, poet, and composer (d. 1284) 1291
The most famous names among the ranks of troubadours belong to this period. During this period the lyric art of the troubadours reached the height of its popularity and the number of surviving poems is greatest from this period. During this period the canso, or love song, became distinguishable as a
The French musician Adam de la Halle is identified among these minstrels, [2] along with twenty-six harpists, thirteen fiddlers (including Tomasin, the Prince of Wales's own fiddler, Nicholas de Caumbray, vidulator to Philip IV of France, and the Englishman Le Roy Druet, called "King of the Minstrels"), three gigatores (rebec players) from ...