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The mod revival is a subculture that started in the United Kingdom in the late 1970s and later spread to other countries (to a lesser degree).. The Mod Revival started with disillusionment with the punk scene when commercialism set in. [citation needed] It was featured in an article in Sounds music paper in 1976 and had a big following in Reading/London during that time.
Around this time, the Jam slimmed their team of two producers to one, Vic Coppersmith-Heaven, who helped develop the group's sound. [29] In 1978, the Jam released their third LP, All Mod Cons, which included three previously released tracks among the 12 in total: "David Watts", "'A' Bomb In Wardour Street", and "Down in the Tube Station at ...
Their most successful studio album was their final album The Gift in 1982, which reached No. 1 in the UK and peaked at No. 82 in the US. The Jam were seen as the centre of mod revival culture during the 1970s to the 1980s, and the lead singer of the band, Paul Weller, was seen as The Modfather. The band separated in 1982, following ten years ...
"Down in the Tube Station at Midnight" is a single by the Jam, and was the second single from their third album, All Mod Cons. Released in October 1978, it reached No. 15 on the UK Singles Chart. [1] The single was backed by a cover version of the Who's song "So Sad About Us", and the song "The Night", written by Bruce Foxton.
The song begins as a studio jam between drummer Rick Buckler and bassist Bruce Foxton, with Paul Weller's contribution coming later. The song does not appear on any of the band's studio albums. In the US, it appeared on the five-track EP The Jam (Polydor PX-1-503), which peaked at No. 176 on the Billboard 200 album chart.
Dig the New Breed is the final album by the Jam, [2] excluding compilations released after the group's split in December 1982. It is a collection of live performances recorded between 1977 and 1982. It is a collection of live performances recorded between 1977 and 1982.
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The album was released less than six months after their debut album In the City, [3] and reached No. 22 on the UK Albums Chart. Although generally met with negative reviews by music critics upon release, This Is the Modern World has been described as being an album "with far more light and shade" than In the City .