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Another recognized music form from Japan is noise music, also known as Japanoise when referring to noise music made by Japanese artists. Some of the most prominent representatives of this form include Merzbow, Masonna, Hanatarash, and The Gerogerigegege. As befits the challenging nature of the music, some noise music performers have become ...
Pages in category "Japanese styles of music" The following 38 pages are in this category, out of 38 total. This list may not reflect recent changes. A. Akishibu-kei;
Musicians and dancer, Muromachi period Traditional Japanese music is the folk or traditional music of Japan. Japan's Ministry of Education classifies hōgaku (邦楽, lit. ' Japanese music ') as a category separate from other traditional forms of music, such as gagaku (court music) or shōmyō (Buddhist chanting), but most ethnomusicologists view hōgaku, in a broad sense, as the form from ...
J-pop (often stylized in all caps; an abbreviated form of "Japanese popular music"), natively known simply as pops (ポップス, poppusu), is the name for a form of popular music that entered the musical mainstream of Japan in the 1990s.
Jōruri (浄瑠璃) is a form of traditional Japanese narrative music in which a tayū (太夫) sings to the accompaniment of a shamisen. [1] Jōruri accompanies bunraku, traditional Japanese puppet theater. [2] As a form of storytelling, jōruri emphasizes the lyrics and narration rather than the music itself. [3]
Enka (演歌) is a Japanese music genre considered to resemble traditional Japanese music stylistically. Modern enka, however, is a relatively recent musical form which adopts a more traditional musical style in its vocalism than ryūkōka music, popular during the prewar years.
Bushi (節) is a type of Japanese folk music genre. The Japanese term fushi (節), originally used in Buddhist folk music in Japan, simply means "melody". Like the generic term ondo, bushi, the voiced form of fushi, is used as a suffix for Japanese folk songs. [1] It is found in many Japanese traditional and folk songs, usually shamisen or ...
The first reference to nagauta as shamisen music appears in the second volume of Matsu no ha (1703). [1] By the 18th century, the shamisen had become an established instrument in kabuki, when the basic forms and classifications of nagauta crystallized [1] as a combination of different styles stemming from the music popular during the Edo period.