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In his 1914 book, Art, Bell postulated that for an object to be deemed a work of art it required potential to provoke aesthetic emotion in its viewer, a quality he termed "significant form." [2] Bell's definition explicitly separated significant form from beauty; in order to possess significant form, an object need not be attractive as long as ...
Voice leading developed as an independent concept when Heinrich Schenker stressed its importance in "free counterpoint", as opposed to strict counterpoint. He wrote: All musical technique is derived from two basic ingredients: voice leading and the progression of scale degrees [i.e. of harmonic roots]. Of the two, voice leading is the earlier ...
Historically essential to Charlotte Lee's definition of oral interpretation is the fact that the performer is "reading from a manuscript". This perspective, once the majority view, has long since become the minority opinion. Voice and movement technique is opsis ("spectacle") while oral interpretation is, conceptually, melopoiia ("music ...
A voice type is a particular kind of human singing voice perceived as having certain identifying qualities or characteristics; vocal range being only one of those characteristics. Other factors are vocal weight, vocal tessitura, vocal timbre, vocal transition points, physical characteristics, speech level, scientific testing, and vocal ...
[7] The aesthetic experience temporarily emancipates the subject from the Will's domination and raises them to a level of pure perception. "On the occurrence of an aesthetic appreciation, the will thereby vanishes entirely from consciousness." [8] Genuine art cannot be created by anyone who merely follows standard artistic rules. A genius is ...
The mood of a piece of literature is the feeling or atmosphere created by the work, or, said slightly differently, how the work makes the reader feel. Mood is produced most effectively through the use of setting, theme, voice and tone, while tone is how the author feels about something.
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Art, at its simplest, is a form of communication. As most forms of communication have an intent or goal directed toward another individual, this is a motivated purpose. Illustrative arts, such as scientific illustration, are a form of art as communication. Maps are another example. However, the content need not be scientific.