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Early in the 20th century, the American translator Charles Derbyshire (whose English translation of Rizal's "Mi Ultimo Adios" is the most popular and most often recited version) translated the poem, but the translation contained flaws, as can be seen for example in the fifth line, where he translates "bella esperanza de la patria mia!"
With the arrival of Spanish conquistadors, the social construction of women in the Philippines was soon influenced by historical Spanish Catholic gender norms. [1] [2] American historian Edward Gaylord Bourne wrote in his 1902 introduction to The Philippine Islands, 1493–1898 that the imposition of Christianity "elevated the status of women" in the country. [3]
The prologue for W.E. Retana’s book on Rizal was written by Javier Gómez de la Serna, while the epilogue was written by Miguel de Unamuno (1864–1936). Vida y Escritos del Dr. José Rizal is the first biographical account of the life of Rizal written by a non-Filipino author (the second is Rizal: Philippine Nationalist and Martyr by British ...
At home, the Rizal ladies recovered a folded paper from the stove. On it was written an unsigned, untitled and undated poem of 14 five-line stanzas. The Rizals reproduced copies of the poem and sent them to Rizal's friends in the country and abroad. In 1897, Mariano Ponce in Hong Kong had the poem printed with the title "Mí último pensamiento ...
José Rizal's life is one of the most documented of 19th-century Filipinos due to the vast and extensive records written by and about him. [29] Almost everything in his short life is recorded somewhere. He was a regular diarist and prolific letter writer, and much of this material has survived.
Sobre la indolencia de los filipinos ("On the Indolence of the Filipinos" in Spanish) is a socio-political essay published in La solidaridad in Madrid in 1890. It was written by José Rizal as a response to the accusation of Indio or Malay indolence. He admits the existence of indolence among the Filipinos, but it could be attributed to a ...
The ilustrado class was composed of Philippine-born and/or raised intellectuals and cut across ethnolinguistic and racial lines—mestizos (both de Sangleyes and de Español), insulares, and indios, among others—and sought reform through "a more equitable arrangement of both political and economic power" under Spanish tutelage.
El Consejo de los Dioses (English Translation: The Council of the Gods) is a play written in Spanish by Filipino writer and national hero José Rizal, first published in 1880 in Manila by the Liceo Artistico Literario de Manila in 1880, and later by La Solidaridad in 1883.