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Choice Cuts failed to revive the band's sales and touring success, so Geffen Records and JACKYL parted company. Later that year, Stayin' Alive was released by their new record-label, Shimmer Tone. Recognized as Jackyl's fourth studio album , of the eleven tracks, three are covers of other bands' songs, and three are live versions of previously ...
Prieboy was born in Los Angeles and raised in East Chicago, Indiana.Early in his career, he was in the San Francisco art band Eye Protection, which had one track on the compilation Rising Stars of San Francisco: "Take Her Where The Boys Are".
Band brake for rear wheel of a bicycle A GE electric motor with band brake to control its speed. Band brakes were common on winch drums and chain saws and is also used for some bicycle brakes. [1] Band brakes were commonly used to control the winding drum on railway inclines that lowered loaded wagons while raising empty ones over a steep slope ...
This is a list of notable bands who have produced industrial music or industrial rock. Separate lists are maintained of bands that predominately produce electro-industrial and industrial metal . This is a dynamic list and may never be able to satisfy particular standards for completeness.
When Marks left they used German musicians, Chekov Helmker on drums and Henning Worner on bass guitar (with Drew back to 2nd guitar), to complete their European tour. [1] In December 1989, while in Germany, they recorded a six-track EP, Thousand (1990), for Glitterhouse, Alexander and Drew were joined by Bill Walsh (of Cosmic Psychos ) on drums ...
Among the videos released are "Get Down" and "Electronic Behavior Control System", which mocks the way television controls our lives. The band used a video/audio sample of R. Budd Dwyer's suicide in "Get Down". [9] Wired.com described the band's use of samples on "Get Down" as "the video equivalent of Public Enemy's Bomb Squad". [10]
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Home Service was formed out of members of the Albion Band, [1] who had participated in recording Rise Up Like the Sun (1978). Their establishment was partly out of the confusion caused by line-up changes when the Albion Band were playing as, in effect, a house band in Bill Bryden's National Theatre productions in the late 1970s and early 1980s, including Lark Rise to Candleford.